A Study On The Singing Processing Of The Relations Between Tunes And Lyrics In The Vocal Capriccio "Spring River Flowers And Moonlight Night"

With the development trend of diversification in the world,facing highly developed means of music communication and unprecedented prosperity of music types,vocal music art is developing towards diversification and individualization.The "Spring River Flowers and Moons Night" to be studied in this paper is a vocal capricious song adapted by Mr.Xu Jingxin according to the version of the folk music ensemble "Spring River Flowers and Moons Night".It is not only rich in the rhythm of ancient Chinese poetry,but also integrates the creative methods of western music and the singing skills of Bel Canto singing.It is a classic work of the integration of Chinese and Western musical elements.Many well-known singers have sung this work.The national style and unique charm embodied in the relationship between accent and lyrics of Chinese art songs need to be studied and explained.With the help of the theory elaborated in Mr.Hui Yong’s book The Relations between Tunes and Ci,relying on representative singing examples and my singing experience,the author tries to analyze the relationship between tunes and CI rhythm in Chunjiang Flowers and Moons Night as deeply as possible,and to study the ways and means of dealing with the relationship between tunes and Ci through singing practice,with a view to learning from singers.Research provides more basis for learning.