Research On Aesthetic Imagery Of Mongolian Movies

In the long-term historical development of China’s Mongolian film,the tradition of "image narrative" has been formed.Based on the traditional Chinese imagery theory and the Mongolian theme film creation process and aesthetic experience,the thesis proposes that the aesthetic image of Mongolian film precipitates the natural geographical environment,the migratory nomadic and the original religious beliefs in the activities of the aesthetic subject,and in the long run.Under the cultural accumulation,a relatively stable aesthetic image is formed.Combining the two aesthetic categories of "image" and "ideal" under the background of "image and meaning" in Chinese traditional imagery aesthetics,the "image" as image is discussed and analyzed.The form of expression,namely: the image of nature and matter,the image of the character,the image of folklore;on the basis of the objective image of the Mongolian film,the film expression of emotion,culture and thought implied by the meaning of the image is summarized;The director also absorbed the essence of other art categories in the construction of narrative and artistic conception,making image expression an important aesthetic feature of Mongolian film.