Research On The Foreign Exchange Of Peasant Painter ZhangQingyi

Farmer painting is a special form of painting,which is produced by combining the original folk art soil under the guidance of political forces in the 1950 s.It is a compatible product of Chinese folk art and academic art.Farmer painting carry folk cultural traditions.It is the product of compatibility between Chinese folk art and college art.Huxian Farmer Painting,which is famous in China and abroad,was born in the 1950 s.Huxian peasant paintings developed in the 1960 s and 1970 s,culminating in the late period of the Cultural Revolution.Huxian Farmer Painting developed in the1960 s and 1970 s and reached a climax in the late 1970 s.Huxian Farmer Painting began to adjust and reform in the 1980 s and became mature after the 1990 s.After years of evolution and development,Huxian Farmer’s Paintings,which is the birth of traditional folk arts such as paper-cut embroidery,has become one of the representative Farmer’s Paintings in China with its unique style.This paper will choose one of the representative figures of Shaanxi Huxian farmer painter Zhang Qingyi painter as the object of study,the main body of its communication research.This paper adopts the method of literature analysis,field investigation and interview,and is divided into four parts.The first part makes a systematic summary of Zhang Qingyi’s foreign exchange practice,mainly including the contents of going abroad to hold exhibitions and exchange topics such as farmer’s painting house.The second part will analyze the influencing factors and personal motivation of Zhang Qingyi’s foreign exchange activities from the perspective of sociology.The third part will discuss the significance of Zhang Qingyi’s foreign exchange activities,mainly including the significance to the farmer’s painting of Huxian County,the significance to the artist and the significance to the participants.The fourth part is the reflection and enlightenment,mainly summarize and reflect on the success and shortcomings of Zhang Qingyi’s foreign exchange activities,and finally put forward myown opinions on how to further strengthen the foreign exchange of folk art.