| Public space is an activity space open to all citizens to discuss public affairs freely,including tangible public space such as associations and salons,as well as intangible public space such as newspapers,magazines and electronic media.As an imaginative public opinion community,Tianya combines strangers scattered all over the place into the reading public with a common topic.In this public space,there are not only intellectuals’ discussions on public issues,but also various kinds of folk discourse standing on the edge and the bottom,highlighting the public value with their private experience.The literary works published on Tianya also embody certain characteristics of publicity in the intervention of society.Taking Tianya magazine from 1996 to 1999 as the research object,this paper explores the public representation of Tianya magazine as a public space,and reflects the phenomenon that the literary circle calls for the return of realism at present.This paper mainly uses the publicity theory of Hannah Arendt and Habermas to analyze the characteristics of the public space constructed by Tianya from the two aspects of the editorial discourse and the publicity representation of typical columns.The introduction mainly explores the background and significance of the discussion questions,sorts out the research status,sorts out research ideas and methods,and believes that Tianya calls for the reconstruction of literary publicity to link the past and the future.The first chapter discusses the isomorphic relationship between Han Shaogong’s creation and Tianya on the basis of sorting out the editorial ideas of successive editor-in-chief of Tianya,and then analyzes the innovation points of the columns and the distribution of the columns over the years.The second chapter analyzes the importance of the editorial discourse of Tianya to the publicity of Tianya literature from three aspects: the interaction between the editor and the author,the interaction between the editor and the reader and the historical data value of the secondary text.The third chapter takes "writer’s position","folk language" and "literature" as examples to analyze the literary publicity of Tianya.The "Writer’s Position" column has multiple authorships,and the dimension of intervention in reality is wide,which makes the discussion more fully;the "Folk Language" column and the "Writer’s Position" column constitute a horizontally complementary relationship,presenting the most basic value from life;In order to build a literary brand,Tianya also launched a group of Tianya writers,whose novels,prose,and poetry also permeate public care. |
