Research On The Inheritance And Innovation Of Sorcerous Dance “nai Niang Cui Gang” Of She Ethnic Group In Fu’an From The Perspective Of Bourdieu’s Social Practice Theory

“Nai Niang Cui Gang” Wu Dance was listed in the representative list of Fujian province’s first intangible cultural heritage.It has been around for a long time,especially in Fu’an city.It is a kind of sacrificial dance in the ceremony of “exorcising evil spirits and preventing evil spirits” by people of She ethnic group.For the Fu’an ethnic people who have no written language,the dance of “Nai Niang Cui Gang” Wu dance is to maintain the collective memory of generations of people of She through the practice and inheritance of people’s body movements.After the interview with the inheritors of the provincial intangible cultural heritage of“Nai Niang Cui Gang” Wu Dance and the in-depth investigation of local folk activities.It is found that in the process of practice and inheritance,“Nai Niang Cui Gang” Wu Dance has produced many innovative contents,but the contents cited by historical documents and scholars still remain in the notes about arranged by the cultural museum in 2005.Thus,the author takes “Nai Niang Cui Gang” Wu Dance of the Fu’an She ethnic as the research object.Using Bourdieu’s Social Practice Theory,combined with the field work,this paper attempts to analyze the inheritance of “Nai Niang Cui Gang” Wu Dance through its specific inheritance field,capital,habit and practice process,and to explore the innovative contents and reasons.In order to further enrich the literature database of “Nai Niang Cui Gang” Wu Dance,it also provides new methods and new thinking for its inheritance and protection,and expands new research horizons,thus contributing to the protection and inheritance of intangible cultural heritage.The paper is divided into three parts: introduction,main body and conclusion.The introduction part contains the research reasons and significance,the research status,the innovation,the research theories,and the research methods.The body part is divided into four chapters: the first chapter insights into the dance of regional environment,economic environment,cultural consciousness and the collective memory of the generation through retrospection of “Nai Niang Cui Gang” Wu Dance inheritance in space and time,further understands the origin of “Nai Niang Cui Gang” Wu Dance in the folk so as to better know how “Nai Niang Cui Gang” Wu Dance to inherits and develops under the space-time field.The second chapter discusses the social practice tool of “Nai Niang Cui Gang” Wu Dance,namely the capital of maminiang “Nai Niang Cui Gang” Wu Dance.It mainly focuses on cultural capital and social capital,and highlights what specific capital is the important capital that supports its sustainable development and remains till now.The third chapter,through the group of the habitual subject “Nai Niang Cui Gang” Wu Dance,analyzes the habit formed by the ethnic group in the long-term practice of material production and yearold festivals by combining the logic of the field and habit to further verify the influence of ethnic habits on the inheritance of “Nai Niang Cui Gang” Wu Dance and to explore the motivation of inheritance practice.The fourth chapter discusses the dance produced in the process of concrete practice content innovation by the analysis of the innovation form,the structure of the dance form,expounds the new 10 kinds of methods and implication,morphological characteristics of the main ways.Finally this paper looks for promoting the cause of innovation,mainly by analyzing the innovation of internal causes and external causes in detail.The conclusion part is a summary of the full text.