Research On The Humor Of Jia Pingwa’s Novels In The New Century

This article takes the humor of Jia Pingwa’s novels in the new century as the research object,combined with the research results of Jia Pingwa’s novels and Chinese and Western humor theories,to explore the construction,characteristics,value and limitations of humor in Jia Pingwa’s novels in the new century.This thesis is composed of three parts: introduction,body and conclusion.The introduction mainly expounds the meaning of the thesis,the research summary,the historical evolution of humor and the definition of Jia’s humor,focusing on why Jia Pingwa’s novels have become a prominent phenomenon after the new century,as well as combing the historical evolution of humor.It combed the origin and evolution of humor in the West and its historical context in China,outlined the Western humor theory and Lin Yutang’s translation and advocacy of humor in the history of modern Chinese literature,defined the category of Jia’s humor,and selected research Scope of works.The main body is divided into three chapters.The first chapter explores the construction of humor in Jia Pingwa’s novels in the new century.Starting from the internal,that is,the mechanism of humor,using Sun Shaozhen’s humor logic double dislocation theory,it examines how humor occurs in Jia Pingwa’s novels.It mainly includes the following four types Ways: First,the dislocation of the context,which is specifically manifested in the ambiguity of word meaning,the contrast between the sublime and the vulgar,and the dissolution of revolutionary discourse.2."The reasoning is not crooked,and the jokes do not come." The crooked reasoning does not conform to the rational logic,but it is in line with the emotional psychology."The crooked reasoning and pushing" can often bring laughter.3.Parody of the classics,dramatic imitation of the classics,highlight the contrast between the two,and achieve the effect of comical humor.4.Jokes and jokes are mixed.Jokes and jokes are the most direct forms of humor.Weaving the two into the text improves the readability of the work.Through the analysis of the above four aspects,it is believed that there is humor in Jia Pingwa’s works,which is in line with the way humor occurs.It can be said that Jia’s works are humorous.The second chapter discusses the humorous characteristics of Jia Pingwa’s novels in the new century.From the outside,that is,the relationship between Jia’s humor and his creative style,it summarizes the characteristics of Jia’s humor,which is reflected in the following three aspects: 1.Rationality of the characters The abandonment of logic has formed a character setting represented by "abnormal people".2.Pursuing the original ecology of the language,using a large number of dialects,forming a narrative that is close to the ground.3.Aesthetically blending truth and absurdity,tragedy and comedy,forming a multi-element and mixed aesthetic space.Through the above three aspects,it is believed that Jia’s humor has Jia Pingwa’s unique style and personality characteristics.Chapter 3 explains the value and limitations of Jia Pingwa’s humor in the new century novels,and makes a macro assessment of Jia’s humor.The continuation of the humorous tradition.2.Borrowing Bakhtin’s folk humor culture theory,it analyzes the inheritance of Jia’s humor to folk humor culture.The limitations of Jia’s humor are shown in the following two points: First,the discourses related to sexual themes in the works frequently appear,and the phenomenon of silly paragraphs is obvious,which affects the value of humor.2.The redundancy and repetition of jokes.The same jokes are repeated in many works,which affects the reader’s reading experience.The concluding part clarified the significance of Jia’s humor on the basis of the text.Jia Pingwa’s new century novel humor draws on traditions,is close to the folks,takes root in life,and cleverly realizes the integration and communication of multiple artistic resources.Part of his creative style is closely integrated with the dense and fleeting creative method,which has a driving effect on Jia’s literary creation.The creative transformation of traditional resources also provides reference for the methods of telling Chinese stories.