A Study On The Application Of Non-verbal Symbols In Chinese National Opera

Chinese National Opera is a kind of vocal performing art form which has been rising gradually since the 20 th century.It is an excellent performing art form which is formed on the basis of national folk music and draws lessons from the expression form of western opera.Since the birth of the first Chinese National Opera "The White Haired Girl",Chinese National Opera artists have gradually enriched and completed the artistic form of Chinese National Opera through continuous exploration.In the past ten years,national operas have maintained a high performance rate in the country,whether they are original or rehearsed repertoire,showing a trend of prosperity and development.However,observing the development of Chinese National Opera from a macro perspective,it is still slightly immature compared to the western opera art developed in the West for hundreds of years.Under the background of the large number of plays,there are some deep-seated problems.These problems Effective solutions are related to the sustainable development of Chinese National Opera.Non-verbal symbol refers to the picture,posture,expression,color,sound and so on,which are not conveyed by oral language and written language as information carrier,and are transmitted by vision and hearing as the way of receiving.They are widely found in various forms of theatrical performance art,and account for more proportion in Chinese national opera.The extensive use of these non-verbal symbols in national opera plays an important role in the expression of opera emotion and the presentation of.Therefore,it is necessary to study the application of non-verbal symbols in Chinese national opera from the perspective of drama semiotics.Based on the present situation of the development of Chinese National Opera,this paper expounds the specific situation of its current development from three aspects and puts forward some main problems in the development of Chinese National Opera.Then,through the analysis of the Chinese National Opera non-linguistic symbols,dualism,code,form of expression and play a role in many aspects of the theoretical basis,and then take the classic national opera "Xiaoerhei’s Marriage" as an example,compare the two versions of the use of non-linguistic symbols and achieve different effects,so as to get the best results.Finally,according to this conclusion,some suggestions on the future development of Chinese National Opera are put forward.Synthesizing the above contents,this paper aims to solve the problems existing in the development of Chinese National Opera and explore the future benign development road of Chinese National Opera.First of all,in the process of the development of vocal music performance education,we should strengthen the cultivation of compound talents,cultivate talents who need comprehensive literacy in comprehensive art,and provide a continuous force for the long-term development of Chinese National Opera.Secondly,we should pay attention to the visual and auditory factors other than the singing content in the national opera,show the synthesis of the national opera completely,and make the stage image more stereoscopic and rich.Thirdly,we should adhere to the excellent Chinese traditional culture,national culture,as the basis of creation,in the stage of national opera "national nature" consistent.Finally,under the background of cross-cultural communication of Chinese National Opera,under the premise that language symbols play less role,the national plot content,music,picture and international,innovative plot expression form,music development form,picture structure form are fused together.