The Expansion And Deepening Of The Concept Of "Shishi" In The Late Ming And Early Qing Dynasty

"Shishi" is an important category in the ancient Chinese criticism system.It has rich meaning and represents the narrative tradition since the "Book of Songs" and the spiritual fashion derived from Du Fu’s poetics.The study of the concept of "Shishi" in the late Ming and early Qing dynasties was based on two considerations.One focuses on the new changes in the connotation of "Shishi" in this period,which is different from the previous period,and the number of poets dubbed "Shishi" has increased significantly.Second,in the context of the late Ming and early Qing dynasties,the concept of "Shishi",which preserves history in poems and preserves Tao in poems,runs through the political life,spiritual experience,aesthetic interest and creative style of the current scholars.It is the feelings of the survivors.The concentrated expression.This article aims to investigate the deeper mentality of scholars behind the revival of the concept of "Shishi",and then clarify the expansion and deepening of the concept of "historical poetry" in the early Qing Dynasty.The full text is divided into four chapters:The first chapter traces the origin of "Shishi".Historically,the consciousness of "Shishi" originated at the beginning of literary development,and the narrative tradition represented by "The Book of Songs" directly involved complicated literary essence issues.After Shen Yue and Meng Qi brought "Shishi" into the field of poetics,poetry theorists of various generations gradually infused "Shishi" with spiritual and theoretical qualities,making it a discourse vehicle capable of supporting rich meaning.The current situation of the Ming and Qing Dynasties inspired the national sentiments and cultural preservation consciousness of the deceased ’ s scholars,which in turn triggered the anti-Qing social activities of the deceased’s scholars in politics and culture.Through the vigorous elimination of the poetry of the end of the Ming Dynasty,they consciously assumed the salvation.The mission of "the world".The second chapter focuses on the expansion of the theory of "Shishi" in the early Qing Dynasty as the main content.The "Shishi" in the early Qing Dynasty largely deviated from the old soil of Du’s poetics,and even surpassed the scope of poetry,and produced textual,ethical and realistic values that are beneficial to the reconstruction of social culture.Among the theory of "Shishi" in the early Qing Dynasty,Qian Qianyi,Wu Weiye,and Wang Fuzhi’s "Poetry History" theory is the most representative."Qian Zhu Du Shi",the value of "Heart History" and Wang Fuzhi’s "Shishi" theory attracted a lot of academic attention in the early Qing Dynasty,and also objectively and profoundly reflected the mentality of the survivors in the early Qing Dynasty.The three are respectively oriented to the cultural function of "Shishi" and "filling up the history with poetry",the chronicle heart function of "historical biography",and the poetic reflection function of "poetry cannot be made by history".This chapter takes Qian Qianyi,Wu Weiye,and Wang Fuzhi’s "Shishi" theory as examples to see the expansion of the "Shishi" in the early Qing Dynasty.Chapter Three focuses on the deepening of the theory of "Shishi" in the early Qing Dynasty as the main content.The first section "Shishi" and "Poetry Tradition" analyzes the realistic basis and historical origin of "Shishi" used for cultural salvation.The second section,"Shishi" and "Poetry Education",analyzes the standards of scholars’ cultural salvation in the early Qing Dynasty,focusing on the correction of ethical order and aesthetic ideals made by the scholars in the early Qing Dynasty through "Shishi".The third section "Shishi" and "Learning" focuses on the way of cultural salvation of poetry critics.The poet intends to guide the younger generations who "can be made to know" and "can not be made to know" to the realm of knowledge and reasoning,so as to create useful "Shishi" works for the world,and cultivate the poet’s "gentle and honest" foundation with the attitude of learning back to history.To refine the poetry with the truth in the history.The fourth chapter focuses on the style of early Qing literary creation as the main content.The creation of poetry in the Ming and Qing dynasties clearly embraced the discourse of poetics,backwashed the literature of the Ming Dynasty,and injected a strong sense of social responsibility and national sentiment into the creation of poetry,taking the function of "Shishi" as the basis for creation,and all kinds of literary creations are displayed The style beyond its intention to survive in history.Literati and scholars in the early Qing Dynasty consciously played the social and cultural functions of writing history,heart,and moral spirit in the creation of poetry and essays,whether it is the lyrical creation of poetry and opera or the academic creation of poetry history and dynasty history.