A Study On The Shape Of The "Three Curves" Of Shanxi Folk Dance Women

Different living environments and geographical forms have created people of different personalities and different lifestyles,so as to produce corresponding basic postures,which are different from other ethnic folk dances.Generally speaking,if you want to understand and learn a national or folk dance,you should first understand its morphological characteristics,that is,understand its style characteristics.In the same way,when it comes to our Shanxi folk dance,for the female dance part,everyone will think of the three physical characteristics of "shrugging one’s shoulders,tilted head","uphead up and back","take,pick up and screw",which form in the dance curves the beauty of the female "three corners" with Shanxi characteristics,so they are collectively referred to as the "three corners".The form,that is,in the dance movement,the head and chest,waist and buttocks,hips and legs are in the reverse form of "S".But in the vast and profound sea of folk dance in China,not only the female dance part of Shanxi folk dance with obvious "three curves" characteristics,Dai nationality,Jiaozhou Yangge,Northeast Yangge and other ethnic groups also have obvious "three curves" shape characteristics,and their similarities are "S"-shaped postures.That difference They are the characteristics of the attack point,the source of the action,the characteristics of the dynamic law and the connotation of the expression.The "three curves" form of Shanxi folk dance women is well known to everyone.The "three curves" of Jiao women in Jiaozhou are also well known to everyone.The first part of the paper mainly focuses on the three basic styles of Shanxi folk dance women-the action source and action of "upheading forward and backward","shrugging the head" and "reaching,lifting,wring" Detailed analysis and elaboration of the essentials and the significance of action appearance;and through a detailed comparative study of the "three curves" forms of Shanxi folk dance women and other ethnic dances,such as Jiao Yangko’s "three curves" and other factors,distinguish the "three curves" of Shanxi folk dance women.It is mainly the previous and later movements,and the "three curves" form of Jiaozhou Yangge women is mainly twisted left and right,highlighting the uniqueness of the "three curves" form of Shanxi folk dance women.There will be detailed analysis in the paper.The latter part briefly describes the changes and enhancements of Shanxi folk dance women from the past to the present,reflecting the use of the "three curves" as the basic form and the basic rhythm of movement at the same time.In terms of aesthetics,it includes both static beauty and dynamic rhythm aesthetic sense,so as to dance.In terms of dynamic beauty,it is fully reflected in the combination of movement and quiet,which makes the beauty of the female body curve in dance more emotional and vivid,more emotional,and more artistic.Above all,from the unique "three curves" form of women in Shanxi folk dance,the "unification style" of the "three corners" form of Shanxi folk dance women has been improved aesthetically,and the style is more unique and richer.Whether in classroom teaching or social circulation,it is more popular with people,to achieve a kind of even if you don’t take a fan.Props,the state of freeing hands to perform and dancing with bare hands,expands the body space of the dance performance,enriches the expression mode,and expresses a stronger style.