| French director Francois Ozon is one of the new generation of French directors with a unique style.With varied and productive styles and bold and sharp narrative themes,his works always focus on marginalized groups and instinctive desires,and focus on psychological description with a sense of horror and suspense coexisting.Francois Ozon let works to the taboo through the desire and the performance of the deviant behavior and analysis,revealed a complex and deep humanity and hidden corner of the human world,the camera body image of great impact,unprovoked bloody killings and always linger in the text of the shadow of death,the common writing out a while and edge means but do not break sharp provocative temperament art condition.This paper,through a close reading of his works,excavates the profound meaning and creative style contained in his works from four angles.The first chapter,"Tussed Forms: Taboo Desire",focuses on the significance of "Taboo Desire" as a means of rebellion in the expression of Francois Ozon’s films,and analyzes the presentation of erotic desire,violent desire and death desire,as well as the rejection and rebellion against social order and moral order.The second chapter "Space image and Metaphor",focusing on space and objects in the images symbolic meaning as well as to the subject,the relationship between characters,vivid shape,inner changes through the visible objects and the narrow or broad space as incorporated in the narrative,imagery and metaphor to refer to make it a complex and contradictory domain refers to the spirit of the involved with the load.The third chapter "The main body of exile and return: The Uncertain Subject" focus on "people" is the survival state of the main body under the lens,and by showing different subjects in different stages of life’s choice of desire and attitude change perspective Francois Ozon’s capacity of human individual freedom and spiritual independence and pursuit for certain,then,in the absence of the trespass and reset,and present,silent and expression reveals the uncertainty and the split with the world.The fourth chapter "Power variation: subversion and transfer" Francois Ozon’s capacity is discussed implied omnipresent in the movie "Game of power",through the analysis of the different main body in the movie,the power struggle between the control and the control,the narrative content of equality and inequality,the passion and power,the power and the words of an integral and human in the vortex of emotions and desires cannot be satisfactory to both sides and desire for the paradox. |