Study On The Murals Art Of Maitreya Hall Of Zhamei Temple Of Yongning,Lijiang

This paper takes the murals of Qiangba Hall of zhamei temple in Yongning,Lijiang as the research object,through combing the construction history and religious development of Yongning area,interpreting the related contents of the murals of Qiangba Hall,explores the origin of its artistic style and the artistic aesthetics of Tibetan Buddhism in modern Kangqu.Based on historical documents and field investigation,this paper makes a detailed analysis of eight groups of murals with different contents and themes,including Buddhas,Bodhisattvas,Dharma protectors,guru and mandala.It holds that the murals in Qiangba hall are mainly composed of central composition and narrative composition in the form of composition;in the characterization,they are characterized by the measurement of Buddha statues and the estimation of their relatives In terms of decorative patterns,it focuses on the use of Buddhist symbols and the transformation of life scenes;in terms of color,it focuses on the blue and green color of the picture,and in terms of lines,it used five flexible strokes,as well as the performance of red Tang techniques for specific statues.Based on these artistic features,using the methods of iconology and cultural communication,this paper makes a comparative study of the murals of Qiangba hall,the murals of temples in Weizang area and the prints of Sutra printing house in Kangqu District.The author finds that the style of the murals of Qiangba hall is inherited from the miansa School of painting promoted by pubuzeren in Kangqu district.This artistic style is greatly influenced by the Gamaga painting school in Kangqu district.Specifically speaking,it shows the reference and misappropriation of the artistic factors of Han fine brushwork landscape flowers and birds in the background of the painting.This kind of artistic exchange between Gelug school and Kaju school has something to do with the "Unbiased Movements" which rose in Kang District in the 19 th century.In addition,the murals of Qiangba hall also retain the lingering charm of Miantang school in Weizang area.The appearance of this kind of mixed style can also explain the art exchange between Kang district and Weizang district.Last but not least,the similarities and cultural relevance of the murals in the Qiangba Hall of zamei temple and those of Deqinfeilai temple,Zhongdian central town tribunal and Qiansuo waru Temple on the ancient Dian Tibetan tea horse road are also worth discussing.The popularity of this standard style also reflects the religious development and artistic aesthetics of Kangqu District in the cultural exchange between Han and Tibet in this period.