Research On Artistic Features Of Chinese Film Adapted To Dance Drama In The New Century

Since the new century,the artistic works of the Chinese dance drama to reorganize classic films embody the modern people’s affirmation of those classic films and cultural identification of the national spirit,reflect the film’s artistic comprehensiveness and epochal adaptation from the side and even profoundly present human’s real emotional experience as well as thinking of social value in the modern socio-cultural context.Both Raise the Red Lantern in 2001 and The Wave That Never Fade in 2018 made a qualitative leap in the aspect of creation,which also triggered the topic of the Chinese film adapted to dance drama.It becomes a fierce and argumentative thesis that whether the Chinese film adapted to dance drama or not and how Chinese dance drama can present films and stories well.At present,the innovative research on the art of Chinese dance drama is still lacking.In the existing literature,there are few scholars analyzing the artistic feature of dance drama from the respect of the film and discussing how to transform screen’s lens language into stage’s body language in the process of Chinese film adapted to dance drama.Therefore,this article will emphasize the expression of ontology language in dance drama,mainly explore the process of experience on the film adapted to dance drama and conversion from lens language to body language.It will extract principles of compilation and creation on Chinese film adapted to dance drama through comprehensive and systematic analyzation about narrative style,the characteristic of graceful dancing gestures in Chinese film adapted to dance drama in the new century and cultural connotation from the artistic works of dance dramas and so on.It will summarize the value of Chinese film adapted to dance drama and present its artistic form so that I can make contributions to Chinese contemporary dance drama’s adaptation or can provide some enlightment for relative producer director.The whole text is made up of introduction and five chapters.Chapter one defines concept of Chinese film adapted to dance drama and sketches out these artistic works of dance drama.It also discusses principles of compilation and creation on Chinese film adapted to dance drama,that is inner integrating degree and differences of narrative method between the film adapted to dance drama and original works.And adapted works take the artistic feature of dance drama as a method that can be learned and overturned.Chapter two is written by the following aspects:shape of human image,symbol of body language,expression of ballet music as well as sence interaction.Hence,it will help us analyse the new century’s narrative style of Chinese film adapted to dance drama,concretely including that how humans can use the dance gesture of dance drama to shape human image and how they can show up symbolization of the body language by solo dance,dance for two people and group dance.It also contains how ballet music can be lyrical to form a poetic space and how it is effective to use montage in dance drama.Chapter three mainly expounds new century’s graceful dancing feature of Chinese film adapted to dance drama,which creates multi-meaningful time and space of dance drama through scene special effects,presents transient seeing and hearing effects by using muiti-media technology,introduces Chinese local characteristics by well-designed clothing and reaches lyric purpose by skillfully applying stage properties.Chapter four summarizes cultural connotation of new century’s Chinese film adapted to dance drama,including these four following parts:practical criticism and introspection,expression of romantic spirit,balance of business and art as well as high spread of national traditional spirit.Chapter five directly analyses problems in the mode and process of spreading new century’s Chinese film adapted to dance drama and its positive and passive influences so that it can bring some value and enlightment to new century’s Chinese film adapted to dance drama.