A Study On The Performance Of The First Movement Of Darius Milo’s The Coward

This paper mainly describes the cooperation technology between double piano players.As far as the performance form of the double piano is concerned,the double piano is quite different from the piano solo and the four handed ensemble.Double piano from the equipment accounted for two,which compared with other forms of piano playing innovation,and double piano need two players very tacit cooperation to achieve good performance effect.This paper is divided into four chapters to study the performance of the first movement of Darius miyor’s double piano coward.The first chapter mainly talks about the introduction of double piano,including the development history of double piano and the performance form of double piano.The second chapter mainly introduces the life,creative characteristics and the influencing factors of the style.The third chapter focuses on the comprehensive analysis of the musical form,rhythm and harmony.The fourth chapter is the most important part of this paper,mainly about the tacit cooperation between the two pianists,which is divided into two parts.The first part is about the preparation work between the two players,including the players need to study,listen and practice the works together.The second part mainly talks about the performance skills of the work,including the voice structure,touch key mode,timbre level and music stage,etc.This work focuses on the cooperation technology of two pianos,as well as the preparation before performance and the cooperation ability of both sides.The double piano works can only be heard by the audience when two players are playing together,which is also the performance characteristics of the double piano.But tacit cooperation is the difficulty of double piano,need two players to continue to study,constantly looking for the tacit understanding between the two and playing methods,and point by point analysis and research of double piano difficulty,at the same time to solve it,share the player’s feelings and experience in the performance process.