| In recent years,with the promulgation of the national literature and art policy,mass dance,a literary style relative to professional dance,as a popular social phenomenon nowadays,is gradually entering everyone’s lives.Nowadays,mass dance competitions and performances are in full swing.Various works are gathered on the stage.Excellent dances emerge in endlessly.Various arrangements have greatly improved the professional standards of mass dances.The author takes the choreography and dance characteristics of mass dance as the research object,and analyzes its development from two dimensions: vertical diachronicity and horizontal synchronicity.This article will focus on several important development stages of mass dance since the founding of the People’s Republic of China,namely the collective dance during the seventeen years of the founding of the People’s Republic of China,the loyalty dance during the Cultural Revolution,the national representative mass dance competitions in the 1980 s and 1990 s,and the dance competitions since the new century.Important related events and performances of mass dance,using literature analysis,investigation and research,and text "close reading" to analyze representative works of mass dance in the above periods,and try to study their arrangement and arrangement in different eras.The characteristics of the dance presented,as well as the reasons for this arrangement and dance characteristics.Finally came to the following conclusions:Firstly,First,in the early days of the founding of the People’s Republic of China,under the influence of the new political and cultural context and the emotional appeal of collectivism,collective dances in China’s mainland emerged in three ways: extracting elements from Chinese and foreign folk dances,arranging them according to music and arranging them according to lyrics,so the national culture was able to show its charm.,The dance is full of distinct rhythm and rich rhythm,and the movement expression is easy to understand.Second,The red loyalty dance during the Cultural Revolution,under the influence of the whole people’s loyalty to the leaders,only retained the simple and straightforward way of arranging the lyrics according to the neat and uniform movement style accompanied by the special political context,presenting a nationwide formation.The "Red Ocean".Third,In the 1980 s and 1990 s,the mass dances that came to the stage in the 1980 s and1990s have also introduced new ways of choreography under the cultural impact of the reform and opening up.While extracting various cultural elements of Chinese and foreign dances,a method of choreography based on thematic actions appeared,and more folks were added.Traditional culture and daily life movements,so the mass dance works become rich in life and emotional connotation.Fourth,In the new era,the new pattern,and the new atmosphere,the mass dance choreography method gathers the fruits of the previous periods,sums up the experience,and merges the new ones.There are not only a blend of dance styles,but also a richer physical expression of the lyrics and thematic actions.The choice tends to be more life-oriented,and the diversification of music also provides more possibilities for the choreography of dance.Fifth,The last chapter of the thesis summarizes the historical inheritance and new development of mass dance in the new century since the founding of the People’s Republic of China,and puts forward several problems in the arrangement of mass dance in the context of contemporary Chinese society,and its development strategies in the new era.Put forward some personal thoughts.The author believes that the objective analysis and pros and cons of the choreography of mass dances can help us have a holistic understanding of the choreography of mass dances.At the same time,the choreographer can choose the best and improve the methods on this basis.Not only can it provide a certain reference and help for the creation of modern and contemporary mass dances to a certain extent,it is also of great value and practical significance for the construction of the public cultural service system. |