A Study On The "Defamiliarization" Techniques Of Modern Tibetan Poetry

Russian formalism is one of the most influential schools of literary theory in the twentieth century,and it promotes the turn of the study of literature ontology.The "defamiliarization" method proposed by its representative figure Shklovsky is the basic principle of literariness,and the process of "defamiliarization" is the artistic process.Based on the theory of"defamiliarization",this thesis uses terminology explanations,examples of works,and text analysis to discuss the expression methods of"defamiliarization" in modern Tibetan poetry.This papar is divided into five chapters:The first chapter translates and explains the three terms of formalism,defamiliarization,and literariness,one term is one section,and a total of three subsections;the second chapter is divided into three subsections,the first section discusses The difference between poetic language and daily life is discussed.The second section discusses the language principles of defamiliarization of poetry language,and the third section discusses the specific ways of defamiliarization of poetry language.Chapter three discusses the Tibetans from four rhetorical devices:metaphor,symbolism,synaesthesia,and exaggeration.The specific rhetorical techniques used in modern poetry to achieve "defamiliarization";Chapter 4 has four subsections,discussing the vocabulary collocation methods used in modem Tibetan poetry to achieve "defamiliarization" from the four aspects of dialects,foreign words,ancient characters and new words;The fifth chapter consists of three subsections.The first and second sections discuss the defamiliarization effect of irony and montage on modern Tibetan poetry.The third section discusses the text shape setting of the poems,and realizes the Tibetans through the combination of vision and content.The defamiliarization of modern poetry.