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A Probe Into "Freehand Spirit"

Posted on:2022-01-02Degree:MasterType:Thesis
Country:ChinaCandidate:S K LiuFull Text:PDF
GTID:2505306479987119Subject:Arts
Abstract/Summary:PDF Full Text Request
This article will start with the decline of the "freehand spirit" of Chinese painting,and try to use three chapters to bring Chinese painting from technical appeal to cultural appeal in the context of cultural consciousness in the new era,and return to the tradition of "writing".Come.Based on creative practice,Kao Suozhong has a vivid and vivid aesthetic experience of pen and ink tradition.The first chapter is the hot and cold thinking of the exhibition caused by the special era background of the decline of the freehand brushwork spirit.It is not difficult to find that the overall defects in the tradition of pen and ink and cultural literacy have led to the loss of freehand spirit and visual mediocrity.However,the "freehand spirit" is by no means a superficial technique of over-exposure and formal acquaintance,but should fit in with the aesthetic pursuit of poetry and spirituality.The second chapter is based on the creation of the graduation work "Man Ting Fang" series,from the budding period to affection,it is what the eye sees and the scene is swayed,and the heart thinks and expresses the feelings.By the time the Weibo blog was posted,the beauty of the audience was selected,and the insights of the representative painters in the history of flowers and birds were selected.Traveling with things in the most prosperous period not only demonstrates one’s spiritual pursuit of peace and elegance,but also contains a different kind of space for traveling with things.This exploration and analysis of my mental path condenses my traditional aesthetic approach through my chaotic yet unexplored extravagant imagination.The third chapter further points out that the inner driving force and artistic expression of emotional experience,which are regarded as the foundation,are the key to creation and the re-understanding of the spirit of freehand brushwork.It is remarkable that in artistic creation,from the beginning of "imagery" to the "emotional thinking" of all things and then deepening the artistic image of "representation" according to the facts,this aesthetic image is not only a natural physical state,but also a subjective spirit.Of the core.Like the spirit of Binhong and Weng Nemei,Zheng Xie laid out a vigorous picture of life with his peculiar intuition,as if he had a good heart..
Keywords/Search Tags:Freehand spirit, competitive nature, 《Man Tingfang》 series, imagery modeling, writing
PDF Full Text Request
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