Research On The Contemporary General Industry Literature Of Tianjin Under The Industrial Consciousness

For a time,contemporary industry literature creation has fallen into a bottleneck,almost becoming the consensus of many scholars in academic circles.They have carried out many aspects of review and reflection on this.As a response to the weak situation of industry literature creation,Jiang Zilong puts forward the concept of "general-industrial theme ",which opens up a new way for the study of industrial literature.On this basis,this paper explores the literary of Tianjin’s modern industrial production since the reform of industrial social and economic system,and pursues the industrial consciousness in Tianjin’s "general-industry " literature from the aspects of production mechanism,text content and narrative art.As a barometer of social trend of thought,"general-industry”literature is closely related to the development of industrial society.Since 1990 s,Tianjin’s modern industrial process has been advancing steadily because of the transformation of socialist market economy system and the transformation and upgrading of industrial structure.It has become a hotbed for Tianjin writers to cultivate industrial consciousness in the "general-industry " writing.From the perspective of history,the author reviews the evolution of Tianjin industrial literature and its gradually sober cognition of modernization,and explores the core of industrial consciousness.Whether it is the macro change of social context or the internal demand of literary development,Tianjin writers have put forward the creative requirements with the connotation of the times.And completely changing the aesthetic sense of modern industrial civilization,paying attention to the way of life,the transformation and evolution of values under the modern industrial system has become the main meaning of Tianjin writers’ thinking.Therefore,the "general-industry" literature presents the recognition and acceptance of the modern industrial system,the affirmation and encouragement of the positive spirit and the sense of competition,and also shows the anxiety and worry brought by the impact of modern industrial civilization on the traditional local culture.These complex intertwined elements constitute the deep meaning of industrial consciousness.The writer of Tianjin critically examines the alienation of personality,moral belief and spiritual thought of Tianjin workers by the way of production and organization and management of modern industry with rational industrialization emotion.First of all,in the writer’s works appears different images of workers.The glorious "working class" was pulled down into the political shrine,returned to the secular life of the general public,and became the lost urban men and women under the desire.Under the invasion of modern industrial logic and pluralistic value orientation," abnormal relationship between men and women " appeared in the essence of exchange,and the harmonious relationship between husband and wife was broken under the domination of modern industrial ethics.The cruel modern industrial logic and industrial management system have a comprehensive conflict with the cultural psychology of "machine worship" in Tianjin workers group,and they even produce the variation of personality personality under the dual torment of physiology and psychology.But at the same time,we have also seen the image of the female worker with modern consciousness after "sharing difficulties" in the commodity economy and society.She boldly throws away the traditional ethical values for women and pursues her own emotional desire.In addition,the group of retired old workers,as "transitioners of the times ",has received the attention of writers,who are struggling to find the footprints of Tianjin’s traditional industrial culture in the Three Stone Streets that have been obscured by urbanization.It can highlight the impact of the development of modern industrial civilization on the traditional ideas and emotional spirit of old workers.Secondly,literature is meaningful form and the industrial consciousness revealed by Tianjin writers in the writing of "general-industry" determines its unique literary narrative mode.In the time dimension,it highlights the distinct tendency of "epic" creation.Tianjin’s "general-industry" literature explains the universal law of the development of human society with the inheritance and change of the workers’ family,and intuitively shows the subversion and transformation of the life form,industrial concept in the old generation of workers and their descendants which are produced by irreversible process of modern industry.The narrative shift of "space" is reflected in the writers’ conscious writing of Tianjin’s industrial life from the dimensions of workers’ living space and modern workers’ production and labor space.In addition,the use of restrictive narration,such as the perspective of factory apprenticeship,undoubtedly improves the narrative level of industrial literature,which is literary and readable.Finally,we should see that the "general-industry" literature of Tianjin illuminated by industrial consciousness,has opened up a new way in the history of Chinese industrial literature.On the one hand,it continues the bottom complex of Tian Jin writers.The construction of the character of the city’ world in the process of industrial modernization in this unique civilian city not only excavates the literary material that infuses the characteristics of modern industry,but also leaves valuable materials for reference in the sociological level.On the other hand,with the development of globalization,urbanization and the implementation of Tianjin’s strategy of industrial eastward shift,Binhai New area,a gathering place of modern industry,has gradually won the favor of the world,and Haihe River,which marks Tianjin’s traditional industry,has become the past yesterday.Traditional industrial culture is placed on the edge of danger by young people.Tianjin writers think about Tianjin traditional industrial history and culture in the novel text with a conscious sense of geographical culture,that is,under the cover of modern industrial civilization to maintain the unique charm of Tianjin local culture.But at the same time,due to the author’s own creative level,audience aesthetic taste and many other factors,there are still some limitations in the theme,narrative and other levels,leading to the proliferation of popular elements such as family,emotion and so on,which sounds the alarm bell for the following "general-industry" literary creation.