The Research Of Music In Shaw’s Early Huangmei Opera Movies

Opera movies are one of the unique types of Chinese movies.Since the invention of the film,Chinese movie has gone through nearly 120 years of ups and downs.Throughout the history of Chinese opera movies,Shao’s Huangmei Opera Movie has a distinctive personality and unique style.It is not only the chapter of a thick and heavy in colors,but also renowned inland and abroad.Shaw’s early Huangmei Opera Movie produced in the late 1950 s and early 1960 s,it is a testimony that this genre has gone from seeking a path to reaching maturity.The importance of the overall development process is self-evident,and it is also outstanding the achievements an d contributions of movie music and Huangmei Opera.This series of Huangmei Opera Movies produced by Shaw Brothers can be said classic,in addition to the success of the director ’s aesthetics,character image and scene language,its euphemistic and beautiful song-style arias,corresponding tone colors and the technical processing of sound,tone and texture is not only self-contained,but also closely fits the images.Through the construction of synchronization,parallelism,opposition and other audio-visual relationships,the film presents a new trend of unified and blending audio-visual language,and the artistic meaning is remembered and reflected.This article aims to focus on the music in Shao’s Early Huangmei Opera Movies,analyze and research the creative techniques,audio-visual relationship,and narrative features in order to explain the aesthetic connotation and the style characteristics presented in Shaw’s early Huangmei Opera Movie music to reveal the significance and value to the history of Chinese Opera Movie.