Repetition Of Differences

Lacquer craft first appeared in China,with a history of at least 7,800 years.In the long process of lacquer culture,lacquer art has formed its unique technological system,such as complicated and varied decorative techniques and varied body-making techniques.Many crafts in the lacquer body-making are often accompanied by repetition.The repeated body-making process forms the body layer of lacquer.The focus of this article is on the research of lacquer body layer,and attempts to find out some technological rules or artistic methodology in the complex and repeated process of lacquer body-making.Then Put this rules and methodologies into the background of contemporary art.Hopefully it can further explore the historical context and future development space of this craft rule.The article is divided into seven chapters,the first chapter is the introduction.The second,third,fourth and fifth chapters are the main contents of the full text.The sixth chapter is the research and reflection of personal lacquer practice.And the seventh chapter is the summary.The third chapter and the fourth chapter are the focal points,which comprehensively deliver the viewpoint and central idea of this article.The first chapter mainly puts forward the question of whether there is a certain rule in the lacquer body-making,including the basic research status of lacquer body layer at domestics and abroad.The second chapter is mainly about the overall elaboration of the lacquer body layer manufacturing technology.It discusses the development process of lacquer in different historical stages in China,with emphasis on the development of lacquer body-making.Besides it illustrates the characteristics of lacquer body layer.It also lists the ancient and modern researches on the lacquer body-making technology,the repeated technology of lacquer in the theoretical works.The key point is to find out the commonness of these processes through a large number of body-making processes.The third chapter is the central chapter of the article,mainly discussing the law of repetition and difference in lacquer body layer.This chapter not only discusses the repetitions and differences of bodiless lacquer body-making with distinct characteristics,but also introduces all kinds of techniques in lacquer-making do have this repeated law.This forth chapter focuses on the aesthetic and philosophical significance of the law of repetition and difference in lacquer body-making.On the one hand,starting from the paint ash material itself of the paint matrix,the paint ash has removed many artistic decorations,and at the same time the natural fusion of paint liquid and tile ash creates a natural and simple aesthetic feeling.On the other hand,I will discuss the form of repetition,which gives people an endless sense of continuity and beauty of order,which enabling people to experience the artistic power.However,too much repetition will bring fatigue to the audience’s vision,so the audience’s vision needs to be broken through.Because lacquer art is limited by the materials themselves,the fifth chapter focuses on similar art categories with the repetition and differentiated body-making laws of lacquer.This is also a further demonstration and sublimation of the repeated differentiation rule of lacquer body layer making.The sixth chapter is about author’s creative practice during postgraduate,including early practice and recent works.Problems and reflections encountered in the medium term,including the difference between cashew nut shell lacquer and ordinary lacquer.The works are divided into three-dimensional lacquer-making and lacquer painting.The seventh Chapter is about conclusion and prospect.