The Creation Shifts Of Extraterritorial Modern Chinese Poems In The 1990s

With the transformation of the social and cultural context of contemporary China in the 1990 s,the writing of modern Chinese poetry has entered a new and eye-catching period of transformation.The independent "individual" image of writers replaced the "collective" spokesman’s identity,and this change of lyrical image turned out to be the most important internal motivation for the poetic transformation in the1990 s.A group of poets,led by Beidao,Duoduo,Zhangzao and Song Lin,set out from their native land and entered a new era of their life and writing.The transformation of "landscape" in geographical space has changed the internal "landscape" of literary writing.The poet’s brushwork has expanded and shrunk from the original "outward" to the "inner" spiritual world,and turned to a kind of sink writing in an individual sense.They have changed from being "call to arms" and "spokesmen" in the early years to solitary "lone speakers",and present "silence" and "aphasia" symptoms in the deep experience of being.On the formal level,the poets turn to the exploration and experiment of the poetic language ontology,and find the lost "poetic language" in modern Chinese poetry.Led by Beidao,Duoduo,Zhangzao and Song Lin,the poets let their spirit "return home" in the transformation,and formed a kind of intimate and moving "harmony" with the marginal sound and the center.This paper attempts to return to the historical context and the scene of the creation of modern Chinese poetry in the 1990 s,and from the perspective of the marginal landscape of poetry outside China,to explore the characteristics and turns of the foreign space and the wandering experience of poets,as well as the resonance between the edge and the center,so as to explore the future direction and possibility of modern Chinese poetry.