The Chinese nation is a nation that worshipping the "ancient",which is not only manifested in the behavior of respecting the ancient,learning from the ancient,restoring ancient ways and remembering the ancient times in various ethical concepts and ideological cultures,but also in the worship of the "ancient" beauty in the field of artistic aesthetics.As an important aesthetic concept in Chinese classical aesthetics,"ancient" is admired by people in many aspects of aesthetic activities and cultural life.This paper focuses on "the worship of the ancient taste in Chinese classical aesthetics",and focuses on the expression,causes,value and influence of the worship of the ancient taste in aesthetics,which is divided into three parts.The first part focuses on the analysis of the basic expression of the interest of worship of the ancient and the development process and aesthetic characteristics of "ancient" as an aesthetic concept,excavating the aesthetic value of "ancient"."Ancient" has multiple connotations,it is not only a concept of time,but also a concept of ethics,at the same time,it is also an important aesthetic concept,with multiple aesthetic characteristics,such as the extreme exemplary origin,the simplicity of returning to nature,the profound accumulation of tranquility,and the transcendence of elegance and refinement.In the development of history,the aesthetic implication of "ancient" has been constantly enriched.As an aesthetic concept,"ancient" means,on the one hand,an aesthetic type that is different from modern times;on the other hand,it means an ancient and refined realm or pursuit of life.The second part mainly analyzes the reasons for the formation of the ancient worship interest.The Chinese nation is an ancient worship of the nation,from Lao Tzu’s "can know the ancient beginning,is for the Dao Ji" and Confucius’ s "story without doing,letter and good ancient" to the later generations of people’s division of the ancient,retro movement,worship of the ancient consciousness everywhere.The profound national cultural roots are reflected behind people’s veneration of the ancient.The relatively closed natural geographical environment and the empirical agricultural civilization foundation are the objective basis for the formation of Chinese people’s interest in veneration of the ancient.Confucianism and Taoism are the two schools of thought that have the most profound influence on Chinese culture.Their worship of the ancient has the most profound influence on the development of the interest of worship of the ancient in later generations.The concept of the integration of time and space and the infinite view of time and space,the view of respecting ancestors and rites,and the view of life without end,these concepts and experiences buried in the cultural genes of Chinese people are also influencing people’s interest in worshiping ancient times all the time.The third part mainly analyzes the value and contemporary significance of the ancient worship interest.The interest of venerating the ancient has its unique aesthetic value,cultural value and ethical value.In today’s society,the most important expression of venerating the ancient is the return of traditional culture.Under the call of the state and the praise of the society,the value of "tradition" has increasingly entered all aspects of People’s Daily life.The aesthetic interest of venerating the ancient has a profound influence on the shaping of personal life style and the cultural development of a country. |