On The Writing Of Sin-consciousnes In Jiang Yun’s Novels

Jiang Yun is a authoress whose achievements outweigh her fame.During her forty years of writing,she has been on the edge of the literary world,devoutly and stubbornly constructing her own novel world.In the early stage of her writing,Jiang Yun had no intention to explore the sense of sin,but her writing already revealed the characteristic of sin-consciousnes.With the maturity of Jiang Yun’s writing,she shows a clear context of a sinner knowing the guilt,confessing his sins and atoning.She focuses on the individual’s sin and atonement,examining the good and evil of human nature,pursuing the individual’s morality and dignity,calling for goodness to individuals and society.Literary creation of Jiang Yun is closely related to her life experience.Jiang Yun have a special understanding about evil human nature owing to the complex era and the experience of identity discrimination.This understanding makes her focus on the "crime and punishment".In addition,classical literature and Russian literature also have an influence on her writing,which makes her guilt creation tinged classical sense with religious sense.Jiang Yun’s main literary creation is series of guilty images,such as the identity of the original sinner,the elder who injures their children,the indifferent onlooker,the dishonest person who breaks his promise and so on.The sinners suffer diseases,abandon love,rove in distant lands,do good to lighten the spiritual guilt.They lead their lives to suffering,but they show the glory of humanity.By depicting the sin and atonement,Jiang Yun reflected on history and reality,eulogizing the love and conscience.Her creative writing never strongly accuses human evil,but gives the characters a relatively perfect ending in a delicate and sentimental style,so as to express the reconciliation of the past pain.