| Shaman has been living in religious status in a long time,but it has been spread down as a regional culture for a long time,especially for the writers who are good at digging up local customs and customs.The writing of Shaman elements in Northeast narrative has been continuous since the May 4th movement had an impact on Modern Northeast literature.Shamanism,as an ancient local religion in Northeast China,has not only been recognized and believed by the local people,but also gradually integrated into the cultural psychology and literary creation of every generation of writers.So after entering the new century,"Shaman" combined with the new situation in the new era has made new changes in literary creation,and appears in many influential literary works in a new attitude.Therefore,this paper focuses on the new century,focusing on the new cultural connotation in the writers’ related literature narrative under this historical background.This paper will be divided into five parts to discuss one by one.The first part is the introduction.The content of the introduction is to determine the purpose and significance of the research,to sort out the literature needed for the research,to delimit the scope of the research and to explain the research methods,and to define the related concepts of northeast narrative and "Shaman".The second part mainly discusses the social context of "Shaman" writing in the Northeast narrative of new century literature.Under the background of globalization,cultural pluralism and ecological crisis,this paper discusses the social characteristics of the times of cultural self-examination and self-consciousness of the writers in the Northeast literature narrative since the new century.The third part is to analyze the daily life dimension of "Shaman" in Northeast narrative of new century literature.This chapter studies three important parts of "Shaman" writing from the visual surface,namely shaman myth and legend,shaman worship and the influence of Shaman sacrifice on daily life.Under the influence of Shaman culture for a long time,people have unconsciously lived in accordance with the requirements of Shaman belief in their daily life.It is precisely because of these myths,religious beliefs and sacrificial ceremonies in Shaman culture that the literary creation in Northeast China is so rich and brilliant.The fourth part of the new century literature in the Northeast narrative "Shaman" image of the study,mainly discusses the work of "Shaman" image.The literature works before the new century lack of multi-faceted and multi-dimensional display of the image of Shaman mage,the soul of Shamanism.For example,modern literary works regard "Shaman" as a symbol of ignorance and backwardness;contemporary root seeking and avant-garde literature focuses on the spiritual core of Shaman belief implied in this image.In the new century,the description of Shaman characters began to enrich.At present,the images can be summarized as follows: the patron saint of benevolence and selflessness,the witch doctor of exorcism and treatment,the prophet of the future,the wise man of erudition and the original and mysterious artist.The fifth part is the cultural connotation of "Shaman" in the Northeast narrative of new century literature.This part mainly discusses the writers’ worry about ecological deterioration and Reflection on modernization reflected in the "Shaman" writing in the Northeast narrative of the new century literature;the rapid development of modern society leads to the extinction and loss of national culture and other issues.With the help of the "Shaman" writing in the Northeast narrative,it reconstructs the historical memory of the Chinese nation in the war of resistance against Japan and national salvation,and explores the essence of "Shaman" brought to people in the war years The cultural connotation of God consolation. |