The Narrative Research Of Kindaichi Kousuke’s Series Of Reasoning Movies

Japanese reasoning movies are usually significantly different from other types of movies or reasoning movies in other countries in narrative strategy,and the series of reasoning movies of Kindaichi Kousuke are particularly notable.In the series of reasoning film works by Kindaichi Kousuke,the director generally uses the ups and downs of the plot,the confusing performance of the criminal technique,the tragic past experience of the offender and the cruel methods in the criminal process as the starting point,through the delicate emotional expression,It presents the ingenuity of criminals’ criminal tactics and arouses the deep thinking of society and people through criminal incidents.The full text is divided into six parts.The first part is the introduction,which introduces the research background and significance of the thesis,analyzes and sorts out the research status at home and abroad,and considers the research innovations and deficiencies of the thesis.The second part is about the exploration of the narrative content of Kindaichi Kousuke ’s reasoning film,starting from the classic and unique image modeling,rigorous plot display and the construction of fantasy and ingenious environment in the work,exploring the uniqueness contained in the content of Japanese reasoning movies.Discuss the reason why Japanese reasoning films represented by Kindaichi Kousuke’s reasoning films are highly loved and praised by audiences.The third part analyzes the narrative style of Kindaichi Kousuke’s reasoning film,mainly through fascinating logical reasoning,deep and fierce social criticism,strong and strong human care,unique Japanese elements,etc.,using a large number of specific film works as analytical materials to reflect Kindaichi Kousuke.The diversity of narrative styles presented by Kindaichi Kousuke ’s reasoning films has made it more obvious to distinguish the differences between Japanese reasoning films and other types of film works.The fourth part summarizes and analyzes the narrative perspective of Kindaichi Kousuke’s reasoning film.this part uses the three narrative perspectives of external focus,internal focus,and zero focus to explore and narrate.People are closely related to the "perspective." The fifth part explores the narrative time and narrative space of Kindaichi Kousuke’s reasoning film,namely linear narrative time and nonlinear narrative time,real space of realism and illusory space of non-realism.Through the close combination of specific work cases and related concepts,it explores the uniqueness of the narrative structure of Japanese reasoning films represented by Kindaichi Kousuke’s reasoning films.The sixth part studies the reference significance and deficiencies of Japanese inference films for the creation of Chinese films of the same type.This part is to look for the shortcomings in the current Japanese film works of reasoning through a large number of relevant film and television works,and try to apply these valuable experiences to the creation of the same type of film works in China to make China reason.The creation of a movie can draw on its essence and maximize its strengths and avoid weaknesses.