A Study Of Documentary Authenticity From The Perspective Of Parody Theory

A good documentary is not only a reflection of a real life.In addition to explaining the traditional values and common sense and rules of shooting,documentary directors should also show the creators’ thinking about reality and works in the creative process.These thoughts are not blindly.For the stack of creative skills-but to have a novel,advanced,and speculative consciousness,reflecting the spirit of reflection,questioning,and critical innovation.The difference between documentaries and feature films is that truth is always put first in the creation of documentaries.However,for documentary creators,the assurance and realization of authenticity is determined by the participation of many factors,not only in the creator’s sincerity and conscience,but also in the presentation of the subject in the lens.Therefore,in-depth understanding and exploration of the identity and relationship between the creator and the subject are necessary for the realization of the authenticity of the documentary.From the perspective of dramatization theory,the subject will inevitably perform when facing the camera lens,unconsciously or subconsciously displaying and shaping their own image according to their own expectations of their own image,and even for a good impression.Formed to be mixed with false components when presented.For documentary creation,the shaping of the subject’s self-image in front of the lens is a conscious act,which is not contrary to the principle of authenticity pursued by the documentary,but it still corresponds to the subject in the natural state of shooting without a lens.The presentation is different.Then,how to distinguish the performance of the subject during the filming of the documentary,what are the requirements of the creator and the subject for the authenticity of the documentary,and how to choose between the performance of the subject and balance the documentary’s performance Authenticity and aesthetic value.The author has carried out detailed analysis and explanation in this article,and carried out dialectical thinking.The author takes the creation of his graduation works "Black Pottery" and "I See You You See Me" as examples.From the identity and relationship between the documentary creator and the subject,the author eliminates the influence of the sense of performance mentioned in the theory of drama on the authenticity of the documentary.The impact of specific creative strategies and the dialectical thinking of the documentary from the perspective of the pseudo-drama theory are three main perspectives to in-depth study the realization of the authenticity of the documentary from the perspective of the pseudo-drama theory.The first part defines the related concepts of the drama theory and the authenticity of the documentary;the second part explores the changes in the relationship between the subject and the creator from the perspective of the drama theory;the third part is from the documentary The three perspectives of pre-production planning,mid-term shooting,and post-editing explored specific and feasible creative strategies to eliminate the influence of drama-like theory on the authenticity of documentaries;the fourth part is from the perspective of drama-like theory,on documentary creation and documentary reality The realization and pursuit is considered and summarized dialectically.The fifth part is the description of the author’s graduation work.The author takes the thoughts on the theory of drama to create,and explores and thinks about the theory through specific practice.The last part is the conclusion,the full text summary and future prospects.