The Study Of Singing Skills On Xibo Folk Songs

China is a unified multi-ethnic country,and all ethnic groups have close exchanges in politics,economy and culture,and have the goal of building the motherland together.But each ethnic group has its own customs and living habits,so in life,it has produced various characteristics,inheriting the songs of various ethnic cultures,which many people call folk songs(or ballads).In recent years,the state has actively advocated the dissemination of ethnic culture,many music,dance and music with ethnic characteristics have been included in the national intangible cultural heritage list,among which Xibo folk songs were listed in the fourth batch of national intangible cultural heritage representative projects in 2014,which is of great significance for the protection of Xibo folk songs.As early as the fishing and hunting culture,Xibo people had folk songs,which not only affected their lives,but also some songs were even widely sung among the people,such as "Butterfly Dance","acena" and other songs.Xibo people mainly lived in Northeast China in the early days,and then moved to Xinjiang to garrison and garrison in the West.Therefore,most of the Xibo people lived in Chabuchar area of Xinjiang.They have experienced changes and development in different historical periods.Sibo compatriots living in Chabuchar area of Xinjiang still have strong ethnic customs and customs,because of the changes,So the types of Xibo folk songs have been constantly enriched,not only in the humanistic spirit and social life of Xibo,but also become an art performance form to show the people of the world the tradition and spirit of the Xibo.This paper is divided into three chapters: To study the singing skills of Xibo folk songs in a progressive way.The first chapter mainly introduces the historical development of Xibo folk songs,including the West migration process and the influence of Xibo on folk songs.Based on the study of the Xibo development history,this paper analyzes the singing skills of Xibo folk songs according to the genre classification of Xibo folk songs in Chapter 2.Here,the author lists five line music examples and sketch writing examples.In the third chapter,through interviews with several musicians who have made great contributions to the inheritance of Xibo folk songs,it is concluded that the inheritance of Xibo folk songs is not only limited to singing,but also for the accompaniment of which is also urgent to be inherited and developed,even some instruments have been lost for a long time,which is very regrettable.The focus of this topic is the singing skills of Xibo folk songs.According to the relevant materials consulted,we know that although our country attaches great importance to these intangible cultural heritage such as Xibo folk songs,there are few people who study and explore.Therefore,we should be aware that the shrinking of our ethnic cultural existence space will have an impact on us in the future,Therefore,for the ethnic culture like the Xibo,which needs to be studied and protected,we should pay more attention to and study.Through the data and interview,the author provides a more in-depth analysis for the study of Xibo folk songs,hoping to let more people understand and join in the protection of intangible cultural heritage.