The Study Of The Vagrant Writing Of Chinese Science Fiction Since 1990s

It has been a hundred years since science fiction was introduced into China from the west,but the development of Chinese science fiction is very bumpy.Until the 1990s,Chinese science fiction entered its rapid development stage,showing the trend of gradually expanding writers group,diversified writing style and expanding content.Since the 1990s,Chinese science fiction not only shows the magnificent beauty of imagination,but also describes and thinks about the living state of human being in the future time dimension.This is a new way of expression different from the mainstream literature,which has practical significance that cannot be ignored.This paper in China since the 1990s science fiction "stray writing" as a breakthrough point,to select the typical science fiction writers and works during this period,based on a close reading of the text,combining with the development of China’s science fiction era background and environment,for,since the 1990s,China’s science fiction writing "wandering" stray present,narrative characteristics,cultural implications and causes has carried on the deep discussion.This paper is composed of three parts: introduction,text and conclusion.The introduction mainly defines the research object and the concept of "vagrancy",and sorts out the current research results on Chinese science fiction and "vagrancy",and then puts forward the research significance and research methods of this paper.The main body consists of five chapters:The first chapter is to comb and discuss the representation of body wandering in Chinese science fiction since the 1990s.Physical vagabondage is a kind of physical displacement in which the vagabondage in the novel actively or passively leaves the original residence and goes to another place.According to the different physical modes of vagabondage,it can be divided into spatial vagabondage and temporal vagabondage.The second chapter is to comb and discuss the representation of spiritual wandering in Chinese science fiction since the 1990s.Mind wandering is relative to the body the stray and exists in the rangers a inner spiritual experience,is the inner feelings free of external environment,and at different stages have different body wandering spirit wandering feeling,main body before the stray mental barriers,wandering on the way of self anxiety and body after alienation of home.The third chapter analyzes the narrative characteristics of vagrant writing in Chinese science fiction since the 1990s.Compared with the mainstream literature,the vagabondage writing of Chinese science fiction in the new period has both the same narrative characteristics and its own uniquenessAspects.In the novel,the portrayal of vagrant characters is often manifested by the rise of individual behavior to the image of human species,and the grand setting of the time and space of vagrant conflicts with the insignificant vagrant group,and the plot of vagrant is the result of the balance between reality and transcendence of vagrant,and the narrative style of vagrant is tragic and highlights the nobility of human beings.The fourth chapter analyzes the cultural implication of vagrancy writing in Chinese science fiction since the 1990s.The wandering writings in Chinese science fiction during this period reveal the search for the origin,purpose and ultimate destiny of human beings.In the process of wandering,the experience of the wanderer shows the character’s tenacious life consciousness.After setting foot on the road of wandering,they can not restrain the homesickness of home,home is to support them to continue to survive the spirit of belonging.At the same time,vagrancy is the normal performance of human existence,is an inevitable fate.The fifth chapter analyzes the causes of vagrancy writing in Chinese science fiction since the 1990s.Wandering is not only a profound memory of human prehistory,but also a literary motif.The writing of Wandering in Chinese science fiction in this period is the continuation of the traditional gene of Chinese literati.The rapid development of Chinese society in the new era makes people lose their roots in the torrent-stream of science and technology,and this sense of rootlessness is further transformed into vagrancy.The progress of science and technology makes people look to the future.It is often a question that science fiction writers and researchers discuss about where human beings will go in the future.Wandering writing in novels is to some extent the product of such thinking.On the basis of the full text,the conclusion makes a further evaluation and summary of vagrancy writing in Chinese science fiction in the new period.