Research On Jingdezhen’s Blue And White Art And Historical Development (1949-1966)

After the founding of New China,the Jingdezhen Porcelain Industry,which had experienced war and turmoil,was restored and rebuilt under the government’s takeover and support,and blue and white art was also included.In the seventeen years of blue and white art from 1949 to 1966,the main contradiction was the conflict between the old tradition and the blue and white artistic image displayed by the new national intention,which was reflected in the modeling characteristics of blue and white daily-use porcelain and furnishing porcelain,the blue and white decorative style,etc.In question.Jingdezhen’s blue and white art has a profound historical foundation.It has undergone the development of the Yuan,Ming and Qing dynasties,forming three main lines of blue and white porcelain for daily use,porcelain for furnishings and office utensils.After the founding of the People’s Republic of China,daily-use porcelain and furnishing porcelain quickly recovered and developed.Until the full implementation of the "First Five-Year Plan",Jingdezhen Porcelain Industry initially completed the socialist transformation of handicraft industry.Two important events,the completion of the task of making porcelain at the national level,has standardized and standardized the production of blue and white art daily-use porcelain.After the establishment of the Ceramic Research Institute,it summarized the blue and white drawing process and production technology,and explored the new blue and white art style,and created a batch of representative works of display porcelain,which provided institutional guarantee for the theoretical development and public inheritance of blue and white art.From 1958 to1966,Jingdezhen’s blue and white art underwent the "Second Five-Year Plan" and the two economic policies of "adjustment,consolidation,enrichment,and improvement",and gradually formed the Jingdezhen blue and white porcelain production system under unified planning and management.The individualized production model has been transformed into an intensive and streamlined production process.With the establishment of a large number of state-owned porcelain factories,the three forces of blue and white art creation were born.They are the production lines of the state-owned porcelain factory mainly producing blue and white daily-use porcelain,the blue and white art masters of the porcelain factory’s beauty research department with a certain degree of self-innovation and subjective consciousness,and the outstanding porcelain factory workers driven by the concept of "the whole people make ceramic creation".The works still include daily-use porcelain and furnishing porcelain,and the blue and white art style presents a simple and life-oriented tendency.However,the change of this style is not drastic.Blue and white porcelain is subject to the limitations of the concrete expression of blue and white art.There are fewer images that directly praise labor or characters.It is more inclined to decorate flowers,animals,fruits and other patterns,daily porcelain,The display porcelain and other ware types were mostly improved from the typical Ming and Qing dynasty types.In short,in the past seventeen years,Jingdezhen’s blue and white art has inherited tradition and developed and improved in parallel.Jingdezhen’s blue and white art has been divided into two stages: "restoration and development" and "inheritance and improvement".The long historical attributes of Jingdezhen’s blue and white art make it adhere to the tradition.At the same time,the intervention of state power has a leading role in the production and creation of blue and white art.This also promotes the rapid innovation of blue and white art,showing the national image of New China,and in terms of foreign exchanges.Have a certain impact.