| The literati tendency of blue and white porcelain in the late Ming Dynasty has not attracted the attention of the academic circles.This study found that the development of folk kilns entered a prosperous period in the late Ming Dynasty.The cultural leadership of the literati group in the late Ming Dynasty provided the pioneering trends for the blue and white porcelain in folk.The promotion of the social status of craftsmen provides the development power for the blue and white porcelain of folk kilns.The rapid rise of the merchant group provided an important consumer market for the folk kiln blue and white porcelain,It promotes the blue and white porcelain of folk kilns to have more cultural connotations and highlights the trend of humanization.This paper takes the blue and white porcelain of literati kilns in the late Ming Dynasty as the core,starting from the interpretation of image and modeling,and then analyzes many factors of its cultural background.This paper divides the images on the blue and white porcelain of folk kilns in this period into three categories: landscapes and flowers and birds with literati’s aesthetic taste influenced by literati’s paintings,depicting and reflecting literati’s daily elegant life,depicting literati’s allusions and popular drama novels in the late Ming Dynasty;In the analysis of utensils,the tea utensils,incense utensils and study utensils adapted to literati’s life are the main utensils.In the aspect of the sociality of the literati blue and white porcelain in the late Ming Dynasty,this paper expounds the reasons,characteristics,functionsfunctions,degrees,interaction with the late Ming society,and the influence on the contemporary Chinese ceramic culture industry of the literati blue and white porcelain in the late Ming Dynasty,From the perspective of culture and art,this paper interprets the related problems of the literati style of blue and white porcelain in the late Ming Dynasty. |
