From The Perspective Of Rational Numerical Control And Image Description To Exploring The Traces Of The “Wind” In Jia Guoping’s Chamber Music Works,Such As The Wind Sound In The Sky And Whispers Of A Gentle Wind

This paper is based on the research of The Wind Sound in the Sky and Whispers of a Gentle Wind two national chamber music that have been composed the modern and contemporary composer Jia Guoping.It has been described by rational numerical control to the mainstay.The traces of the "wind" is explored in the two works from the organization of the band,the characteristics of performance,the way of pitch organization and the combination of sound,the structure of the rhythm and the fusion of Chinese and Western techniques.Here,the paper is divided into three chapters,three parts in total.The first part is the introduction part that mainly analyzes the papers and literatures for the works of composer Jia Guoping to sort them out and integrate them,and determine the research content and significance of the works to analyze the feasibility of the work research.The second part is the first chapter.This part mainly introduces the composer Jia Guoping’s creative stage,main works,and the origin and development of creative aesthetics.The third part is the second and third chapters,and the second chapter is an introduction to the creative background of the two works,the inspiration source of The Wind Sound in the Sky Haizi’s modern poem September,and the inspiration source of Whispers of a Gentle Wind in the Ink Bamboo painted by Zheng Banqiao.It also briefly introduces the two works from the perspective of rational numerical control and image depiction.And the third chapter is a specific analysis of the two works.The first section The Wind Sound in the Sky is based on the rational numerical control of the number of strokes of the poem and the number of words applied to the rhythm time value,and the image of the poem is designed as a perceptual creation of texture.The second section of Whispers of a Gentle Wind is based on the rational numerical control of pre-set tone and sound combination,and the pitch and tone sequence depict the imagery creation of the picture.And the other musical elements in the two works have shaped the image of wind.The third section describes the common and individual characteristics of the expression methods of the two works.