Analysis On The Form And Performance Of Beethoven’s Sonata For Piano And Cello In F Major(Op.5.No.1)

Beethoven’s five sonatas for piano and cello occupy a very important position in the cello sonatas.For students majoring in performance,playing and studying this set of works will give them a more comprehensive understanding of the evolution and development of Beethoven’s personal style.His five sonatas for cello span a long time,running through the whole period of his creation.The first and second cello sonatas belong to Beethoven’s early works,written in 1796.The third cello sonata,written in 1808,is one of his middle works.His last two sonatas for cello,completed in 1815,are among his later works.The whole work embodies the rigor and symmetry of classical music.This thesis selects "Cello Sonata No.1 in F Major" as the research object.This paper the first chapter of Beethoven’s life,three different periods of creation characteristics and background of his works are summarized,and the second chapter of the cello sonata no.1 in F major,the buckling analysis of the third chapter combined with their own learning experience from the aspects of actual performance to study the work,and emphatically from the piano and cello two instruments paper expounds how to cooperate with each other.