| Jia Pingwa is an evergreen tree in the Chinese literary world.He has worked hard in writing for 50 years and has made achievements in prose,poetry,novels and other fields.The most striking is his novel creation,which has been published so far.After eighteen full-length novels,his works coexist in quantity and quality,and constitute an indispensable part of contemporary China,and they have naturally become the focus of attention of researchers.When we focused our attention on Jia Pingwa’s novel creation,we discovered that,in addition to the text of the novel,Jia Pingwa also created the preface and postscript for each novel,which is thousands of words short and tens of thousands of characters long.The preface and postscript of the eighteen novels add up to nearly two.One hundred thousand words can completely become a research object.As a traditional literary style,prefaces and postscripts have the necessity and significance of existence,and are highly valued by ancient writers and modern literature masters.However,they have not been paid enough attention in contemporary literature research.After investigating the research on Jia Pingwa’s novels,it is found that the research on Jia Pingwa’s novels is basically based on the content of Jia Pingwa’s novels,and most of them ignore the prefaces and postscripts that exist as novel subtexts.This is an urgent need to study the creation of Jia Pingwa’s novels.This is a rich field,so this article chooses Jia Pingwa’s novel prefaces and postscripts as the research object,which has certain practical significance for consolidating the research of Jia Pingwa’s novels and the study of prefaces and postscripts of contemporary Chinese literature.This dissertation has five parts.The first part is the introduction.First,it summarizes the creation and research of Jia Pingwa’s novels,and explains the researchability of the research object.Secondly,it traces the origin of the preface and postscript,and summarizes the research preface and postscript.The second part focuses on the relationship between the preface and postscript and the text,mainly from the two dimensions of subtext and intertextuality;the third and fourth parts are the key parts of the thesis,analyzing the preface and postscript and Jia Pingwa’s literary creation views and The relationship between creative practice,refines Jia Pingwa’s several literary creation concepts embodied in the preface and postscript,and uses dialectical analysis to explore the relationship between the preface and postscript and Jia Pingwa’s literary creation practice;the fifth part discusses Jia Pingwa from the perspectives of literature,aesthetics and culture.The independent value of the prefaces and postscripts of the novels;the sixth part is the conclusion,summarizing and reviewing the content of the full text,expressing the expectation of the research community to further study and enrich the prefaces and postscripts of Jia Pingwa’s novels. |