Research On The Court Drama Ping Ling Hui In The Qing Dynasty

As a kind of drama in the court of Qing Dynasty,Ping Ling Hui was adapted from the novel Feng Jian Chun Qiu in the Qing Dynasty,and its plot mainly intercepted the content of the first 32 chapters of the novel.On the basis of inheriting the characters and plots of the novel,Ping Ling Hui also added and deleted part of its plots and enriched its characters,so as to meet the stage performance needs of the court drama of the Qing Dynasty and show its uniqueness.This article is divided into five parts:The introduction summarizes the origins and current research status of court dramas in the Qing Dynasty,and clarifies the value of the topic selection of the thesis.Through combing the research materials of the predecessor scholars,we can understand the relevant knowledge of the Qing Dynasty palace drama,so as to lay the foundation for the research of Ping Ling Hui.The first chapter explores the story source of Ping Ling Hui.This chapter will analyze the issue of the author,version and creative background of Ping Ling Hui,and discuss the specific adaptation of the plot and character images of Feng Jian Chun Qiu and its reference to other novels of gods and monsters,so as to discuss the value and significance of the adaptation of Ping Ling Hui.The second chapter analyzes the main characters in Ping Ling Hui.Starting from the camp of Sun Bin and the camp of Wang Jian,this chapter will analyze the image characteristics of Sun Bin,Bai Yuan,Mao Sui,Wang Jian and Hai Chao Lao Zu respectively,and then expound their positions and functions in Ping Ling Hui.The third chapter explores the creative ideas of Ping Ling Hui.This chapter mainly starts from the view of destiny and the thought of loyalty and filial piety,respectively discussing the outstanding performance of the two in Ping Ling Hui.The concept of"sovereign power granted by god" and loyalty and filial piety are also conducive to the social education of rulers.The conflict and integration of the two deeply reflect the characteristics of the opera and cultural policies of the Qing Dynasty.The fourth chapter analyzes the narrative strategy of Ping Ling Hui.The editors of PingLing Hui fully considered the differences between novels and operas,and did not copy the narrative mode of Feng Jian Chun Qiu,especially in the arrangement of the three aspects of the combination of hot and cold,the parallel development of two lines,and the fairy fighting method.This not only embodies the unique stage performance effect of the court drama of the Qing Dynasty,but also satisfies the entertainment needs of the rulers.The fifth chapter analyzes the opera art of Ping Ling Hui.This chapter mainly starts with several angles,such as jokes,lyrics,spoken parts,role play and the use of "Kejie",so as to understand the unique opera art of the Qing Dynasty court drama.