Artistic Practice Of Town Side Village In Local Context

Fishermen’s music as the folk art performance which is a combination of music,dance and lyrics,guided by Dongguan village people in the Lantern shown,the"highlights" of the art are reflected in the cast of different "family roles" played by children,the dance form of Jingxing flower pulling,the music score and lyrics reflecting daily life,the gorgeous costumes,as well as the orchestral instrumental ensemble.The organizers regard the ten sample mirror as a cultural symbol of the court’s instrumental music "courtesy to the common people",which reflects the local people’s attitude of regarding the national etiquette as the folk etiquette."Fisherman’s family is inseparable from Huo’s family" shows the relationship between the two.At first,Yujiale was initially funded and dominated by the Huo family,and only the minor males within the family were allowed to participate.After the political situatian changes and the rise and fall of the family,the surnames and gender of the performers and the organizational mechanism are no longer strictly restricted,the other members who are related to the Huo family by marriage and have geographical connections are gradually accepted,and the evolution process from the family blood relationship to the neighborhood geography,and then to the whole village unit.The reasons behind it are closely related to the change of habitat conditions of villages,the rise and fall of families and the historical process of the whole "nation-state".The feelings of famliy and country are deeply internalized in the inner world of the people,which constitutes the main melody of the cultural connotation succession of Yujiale music.People’s inheritance and recreation of Yujiale in different time and space situations reflects the process of local operation of traditional cultural resources,active approach to national etiquette,construction of cultural network and local power discourse.In terms of the cultural symbolism of folk art is concerned,Yujiale also embodies the wisdom of people’s survival in the local society,such as the reconstruction of personal value,the construction of ritual order and the balance of family power.First of all,cultural elites hope to maintain and even enhance the cultural authority of individuals in the village by organizing this art performance activity.Secondly,Yujiale emphasizes the Confucian concepts of "benevolence" such as "family harmony" and"the order of elders and children",which guides the people to establish the cultural and psychological identity of unity,harmonious coexistence and abiding by the order of elders and children in the context of "family world",reflecting the phenomenon of competition and balance in the village power network.Yujiale was used as a "tool of cultural power" to coordinate with other streets and families in terms of political,economic and other aspects imbalance.At the same time,the scenes of "hardworking and simple","happy harvest" and "surplus every year" displayed by Yujiale not only reflect the local people’s hope that the local government can achieve political stability,people’s safety and family prosperity;It is also a metaphorical expression of the state’s persuading people to work hard and be self-sufficient by guiding the villagers’ artistic performance.