| During the period of Wei-Jin dynasties,society fell apart,people died,and the limitation of life made scholars have to take into account the consideration of survival.With the awakening of life consciousness,art became the spiritual relief field of scholars in Wei and Jin dynasties.Based on this background,this paper takes life consciousness in Wei and Jin art as the research object,which is always centered on the life tone of "being myself".The paper consists of five chapters:The first chapter introduces the research object,the previous research,as well as the research ideas,innovations and methods.The second chapter focuses on the social and cultural background of the Wei Jin art.From the perspective of social and economic background,the external natural disasters and internal political chaos led to the awakening of scholars,which led to the questioning of the mandate of heaven.The self-sufficiency and closure of the estate economy laid a rich material foundation for the awakening of their life consciousness and paved the way for the development of their art.From the perspective of ideological and cultural background,the traditional life view of Confucianism,Taoism and Buddhism and the unique metaphysics thought of Wei and Jin deepened the life consciousness of scholars in Wei and Jin dynasties.The third chapter mainly discusses the life philosophy of Wei and Jin scholars and their aesthetic views.Death and existence,emotion and nature were the main issues discussed by scholars in Wei and Jin dynasties.And Wei Jin scholars’ aesthetic appreciation of art in life practice is mainly based on "life","love" and"beauty"."Life"is to value life,"love" means true emotion,"beauty" access to mental strength.The fourth chapter focuses on the life theme of Wei Jin art.Wei-Jin life consciousness and artistic creation constitute an interactive dialogue relationship.The expression of life consciousness in Wei and Jin art can be roughly divided into two aspects:death and survival,including the humble acceptance and transcendence of death and the pursuit of achievement and freedom.The fifth chapter mainly discusses the aesthetic characteristics of life in Wei Jin art.It is reflected in two aspects roughly:one is the beauty of momentum,the other is the beauty of romantic charm.Both of them were developed in accordance with the emphasis on life and affirmation of life,which fully reflected that the scholars’ life consciousness in Wei and Jin dynasties gradually turned from negative to positive.They were free in art,nourishing the emotional appeal,enriching their bodies and highlighting the strength of personality. |
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