Study On Jiang Jie’s Ci

Jiang Jie was a poet who lived in the Southern Song dynasty.On the basis of previous studies,this paper analyzes Jiang Jie’s life trajectory and thoughts,and tries to grasp objectively the changes of Jiang Jie’s psychology and style of CiThe text is divided into five parts:The introduction is the origin of the writing of this paper,the current research situation of Jiang Jie’s Ci and the research ideas of this paper.The research on Jiang Jie and his Ci in the new period mainly focuses on four aspects: the author’s life,artistic style,ideological content and school attribution.The first chapter analyzes Jiang Jie’s life and thoughts.This paper mainly focuses on the sorting out of Jiang Jie’s life experience,and explains Jiang Jie’s thought of combining Confucianism,Buddhism and Taoism,which lays the foundation for the analysis of the diachronic change of the theme of Jiang Jie’s Ci.The second chapter analyzes the theme of Jiang Jie’s Ci.Before the death of the song dynasty,the theme of Ci poems was leisure fun and homesickness;After the death of the song dynasty,in addition to homesickness,there was also a strong sense of perseverance.In his later years,under the influence of Buddhism and Taoism,the feeling of subjugation gradually changed into the interest of seclusion.The third chapter discusses the artistic form of Jiang Jie’s Ci and analyzes his "inheritance and change" in literary creation.First,the artistic form of Jiang Jie’s Ci has the following characteristics: euphemism and reservation of lyric,poetic style and variety of ci.Second,in his later years,Jiang Jie changed from elegance to vulgarity.This change is reflected in the change of the intonation of words from strict to flexible,and the change of language from elegant to lively.The fourth chapter analyzes the historical status and influence of Jiang Jie’s Ci.Because of his learning spirit and his historical orientation of inheriting the style of Jiang Kui and Xin Qiji and following the customs of Yuan Qu,Jiang Jie became a family of his own in the Ci circle of the southern song dynasty,leaving rich artistic wealth for the writers of the Ming dynasty and Qing dynasty.Finally,a conclusion is drawn: the change in the theme and artistic characteristics of Jiang Jie’s Ci originated from his life experience from song dynasty to yuan dynasty and his psychological change as a relic of the southern song dynasty.In the theme of leisure fun and homesickness turned to keep a festival of ambition,and finally evolved into the interest of seclusion;In art,the transition from elegant Ci to music finally forms a unique style that combines rigor and softness,is also new and old,and both refined and popular.