The Taoist philosophy represented by Lao Tzu On this basis,Zhuangzi and other scholars,such as the metaphysics of Wei and Jin dynasties,have inherited and developed the concept of "nature" in nature and landscape painting.Since ancient times,many landscape painting people have always been consistent with Laozhuang’s view of nature in pursuing the artistic purport and artistic conception of landscape painting.Through the first chapter,this paper mainly discusses the concept of nature contained in Laozhuang’s philosophy and its guidance for the development of later landscape painting.Through Laozi’s concept of "Tao Law Nature ",the author leads to Zhuangzi’s pursuit of freedom,emptiness and inaction,which shows the research content and leads to creation The source of inspiration.The second chapter through copying "early spring map" to understand with the natural view of the creation of natural objects and weather how to express and for the later creation in the pen and ink techniques inspired.The third chapter comprehends and discovers the natural beauty in the practice sketch and the relation between the natural view and the natural beauty in the sketch process,discusses the collection material in the creation and the thought expression function and the embodiment.The fourth chapter discusses how to express the content of the work,how to feel and create through the feeling of sketching,and how to express the inspiration of the natural view to the individual.From the ancient son put forward "Taoism natural "," on the good as water" And so on thought,thus opens the landscape end order,then Zhuangzi carries forward the feeling "Tao" in the landscape to realize "the free and free travel" to achieve the empty quiet inaction spiritual realm.It further shows that there is internal consistency between the natural view of Laozhuang and the creation of landscape painting.With the rapid development of science and technology in today’s society and the contradiction of people’s increasing demand and resources,the antagonism between man and nature has gradually intensified,which has become an important problem facing and to be solved all over the world.The purpose of this thesis is to embody Laozhuang’s view of nature in painting creation by showing the landscape feelings and artistic spiritcontained in Laozhuang’s thought,which will promote Chinese excellent culture-good virtue and enhance aesthetic construction of modern ecology Aesthetics is of great importance. |