Nostalgia In The Mirror

Huang Hu is a native writer of Huangshi City in Hubei Province.He began to write books in his spare time since the 1990 s,and he has always been fond of the creation theme of the local world.Huang Hu’s literary creation benefits from his own special life path.Because of his rural memory,factory experience and urban experience,his works of "country","mining and metallurgy" and "city" are very close to the real Southeastern Hubei.Nowadays,the problems of rural development space being squeezed,rural primitive style being destroyed,and rural people being far away from the land exist for a long time.Huang Hu tries to arouse the homesickness gradually forgotten by people through the real and kind description of the countryside.This paper takes the rural novels of Huang Hu as the research object,and evaluates his rural ideology,rural development and his ideal aesthetic world of life by exploring the local aesthetic narrative,literary aesthetic implication and the significance of the current homesickness.Through the appreciation of the home written by Huang Hu,the native writer,the author realizes that the modern people pursue the economy excessively and abandon the country gradually.There are fewer and fewer people who really love the countryside.Homesickness has become a kind of rhetoric and slogan.Modern rural homes need to be saved and rebuilt.This paper is divided into four chapters: The first chapter combs the generative context of Huang Hu’s local narrative,summarizes the connotation and development of homesickness through theoretical tracing,and then discusses Huang Hu’s personal homesickness in combination with his life experience and his literary works,showing his cultural awareness and aesthetic awareness.The second chapter explores the main writing methods and narrative angles of Huang Hu’s local narrative.By analyzing the custom images,hunger narrative techniques and the narrative angles of urban-rural two-way description in his works,we can understand the real folk culture and development status of Southeast Hubei rural areas under the shadow of Huang Hu’s local novels,and show his attention to the fate of urban and rural areas.The third chapter analyzes the spiritual connotation of Jack’s local novels.In Huang Hu’s local world,men support industry to stay away from the local areas,and women work hard to protect their homes.There are many contradictions between the two sexes.Huang Hu extended the deviation and protection,castration and resistance of rural men and women to their homes,gave deep praise and sympathy to women,and appealed to people to regain their attachment to the countryside through the image of women.The fourth chapter mainly discusses the narrative aesthetic style and aesthetic ideal of Huang Hu’s local novels.Huang Hu draws nutrients from tradition and reality,not only describes the traditional local habits and customs,but also considers the reality of rural development,creating his own unique aesthetic style,which has profound aesthetic significance and practical significance.