Study On The "Beauty Of Connotation" Of Suzhou Gardens And Its Landscape Painting Performance

Chinese garden roots in the Chinese culture into the soil.It is an art that integrates a variety of arts and is closely related to Chinese literature and painting.Suzhou Garden is a model of gardening art in China and even in the East.It uses the superb artistic techniques of abstract landscapes and contains strong traditional Chinese thoughts and cultural deposits.The garden landscape of “quiet,far,curved,deep” in the Suzhou garden is also a materialization of the simple and quiet mentality advocated by literati.These are also interlinked with the implicit aesthetic characteristics of Chinese landscape painting.With the continuous development of landscape paintings,literati paintings have risen step by step,and the painting subject of landscape paintings has become richer.The theme of the garden is gradually presented in the way of pointing out the scenery in landscape painting.The idea of casual brushwork and ignoring the form made the garden theme paintings of this period pay more attention to the communication of the artistic conception of the picture."Beauty of connotation" can use the subtle way to pass the mood that it wants to express to the viewer.The "out-of-picture realm" appears spontaneously,which was a kind of recreated aesthetic.Orientals pursue connotation,and the “connotation is good” aesthetic ideology continues from ancient times to the present.It played an important role in the continuous prosperity of Chinese literary and garden art."Beauty of connotation" is a very representative aesthetic characteristic in Chinese literature,art and oriental culture.It also has its unique expression in Suzhou gardens.This thesis mainly studies the formation factors of the Suzhou gardens’ "beauty of connotation" characteristic and uses Suzhou gardens as the theme to express the aesthetic characteristics of "beauty of connotation" by using Chinese landscapepainting.This thesis is mainly divided into four parts for writing: the introduction part is mainly to give a brief overview of the source of the subject,research purpose and significance,research status and research methods of this thesis.The first chapter of this thesis mainly includes two contents.Firstly,it sorts out the historical documents,starting from the history of Suzhou gardens,then summarizes its evolution and development process.Secondly,it discusses the formation of the "beauty of connotation" aesthetic characteristic in Suzhou gardens,mainly introduces the natural environment and humanistic features of Suzhou gardens,and summarizes its implicit gardening aesthetics.The second chapter of the thesis mainly analyzes the performance of Suzhou gardens’ "beauty of connotation" in Chinese landscape paintings.By collecting and consulting Suzhou gardens theme landscape paintings from ancient times to the present,I selected the "Lion Forest Garden" of Yuan Dynasty Ni Zan,the "Humble Administrator’s Garden Map" of modern times Li Keran,and the "Corner of Humble Administrator’s Garden" of contemporary times Zhang Gumin.Then I analyze and study it from the perspective of layout and art of composition,pen and ink performance,and artistic conception-making.The third chapter of the thesis is the key point of this article.The author collects materials through field surveys,photographs,sketching,art collection and other methods to create.I learned the techniques of senior painters,and combine my own pen and ink characteristics,and tried to apply them into my own creations.Finally,I elaborated on my creative process and creative perception.