Interpretation Of Piano Accompaniment From The Perspective Of Vocal Singers

With the study of vocal singing in the master’s stage,I have come into contact with more song styles and singing styles of different singers,as well as the opera with complete symphony or piano accompaniment in the opera house.The contrast with my own singing has brought me a great start.At the same time,in the process of learning,it is also found that the vocal learners who are learning and growing up like me are not thorough enough in the interpretation of songs in singing,leading to various problems in the expression of songs.Because in the study of vocal music major in art colleges,most teachers and students emphasize the importance of "technology",but ignore the integrity of the songs,and the situation of singing and accompaniment "self-care" occurs,which leads to the phenomenon of "unable to close" accompaniment.For a song,the teacher can solve this problem by simply counting the beats,but next time,change a new tune,In the classroom,there will be such a situation.We should reflect on ourselves,what is the cause of such a situation,and how to do to put an end to such a situation.After mastering the general structure of piano accompaniment,let the cooperation between the singer and the accompaniment teacher be more natural,let the audience focus more on the work itself.Most vocal learners sing songs by piano accompaniment,so this paper is from the perspective of vocal singers to analyze the internal and external songs with examples,through analysis,comparison and summary of the processing methods of singing,making their singing expression complete and more artistic.First of all,we should start from the basic quality of vocal singers,because it is very important to develop a scientific singing habit.Secondly,we need to understand the dialectical relationship between melody and piano accompaniment.They are both independent and organic.After analyzing the dialectical relationship between them,we give an example of a song as the key point to explain,and analyze how we can make the dialogue between "singing" and "playing" harmonious and unified under different piano accompaniment textures.Finally,the conclusion is drawn.