A Study On The Artistic Language Of The Line Of Figure Painting In The Ming Dynasty

Line is the most core formal element of traditional Chinese painting,and also the most basic modeling means of Chinese painting,which has accumulated strong national cultural connotation.Line,color and decoration are the three basic rules of fine brushwork figure painting.To understand and master these three basic rules is very important for inheriting tradition and modern innovation.During this period,figure painting in the Ming dynasty had a recovery trend,which was significantly separated from the painting styles of jin,tang,song and yuan dynasties.Along with the social reality in further differentiation of all classes,art started to buy and sell relationship,a large number of scholars are prosperous jiangnan jing painting for a living,their ideology and no longer subject to the constraints of the ruling class aesthetic and more inclined to the creation and expression of art itself,exhilarating scenery,the extension and the thought the meteoric rise of reclusion as characters of claborate-style painting depicting reality also in such a rich cultural atmosphere of a new breakthrough and evolution.It is the national consensus that Chinese painting takes line as the artistic expression.This paper focuses on the development and evolution of line in Ming dynasty.The aesthetics of traditional Chinese meticulous figure painting is refined and summarized in the description of nature,and a set of perfect aesthetic system and style is summarized,which not only has superb artistic skills,but also has the unique spiritual connotation of the Chinese nation.From the very beginning of the contract,it has carried the spiritual context and the essence of life in China,such as the round and soft curve in the pattern of yangshao cultural pottery,the line of clouds in the silk painting of figure royal dragon in the warring states period tomb in changsha,hunan province,and the painting of high ancient hairspring in gu kaizhi’s "ode to the god of luo"...,until the modern closer to the modern life of the form of different line lines,all do not comply with the line modeling function and aesthetic properties of the growth.Line is the closest expression form,space and life of the painter’s soul,and it is a blend ofemotion and philosophy.This article focuses on the period of Ming dynasty from the early,middle and late of painters,painting,and show the distinctive line of artistic pursuit and features,comprehensive history background of Ming dynasty,the political environment,the artist’s personal growth a number of reasons to illustrate how artists works,how to construct the line art and aesthetic character different from the past.And how to get the balance and unity between the modeling function and the aesthetic function of the line.In this problem,through a large number of books,also refer to a large number of Ming dynasty painter’s paintings,the selection can be highlighted in this thesis the core content of the representative works of the painter and,based on this,again from the works of composition,painting style,creation background factors such as the comprehensive analysis of fine brushwork figure painting of the Ming dynasty in the line of outstanding contributions and aesthetic features,so as to how we show the fine brushwork figure painting in Ming dynasty from fine with my art rheological exquisite to do their free and easy.