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Freehand Brushwork In Contemporary Landscape Oil Painting

Posted on:2021-04-29Degree:MasterType:Thesis
Country:ChinaCandidate:P DingFull Text:PDF
GTID:2505306230492084Subject:Master of Fine Arts (Fine Arts)
Abstract/Summary:PDF Full Text Request
Since the introduction of oil painting into China,its high adaptability and strong expressive ability have been recognized and studied by the society.In the hundreds of years since the oil painting language came into China,the national language has gradually entered the public’s vision.In combination with this foreign language,it is tolerant of innovation,develops and progresses,and gradually reveals its vitality and charm.The emergence of the word freehand is an important example of the nationalization of oil painting language.It is our responsibility and obligation to shoulder the mission of national culture Renaissance and strive to create the national art language in the great national Renaissance period.Freehand brushwork inherits Chinese classical humanistic thoughts and historical humanistic contents,including the Chinese nation’s philosophical aesthetics,outlook on life,values and world view from ancient times to the present.Combined with expressive oil painting materials,freehand brushwork strives to pursue the harmony and collision between the two,generating new sparks and artistic innovation.Under the inheritance of the art masters and masters of art,the process of nationalization of oil painting language has been updating and progressing to the present day with the release of the extremely powerful national self-confidence.
Keywords/Search Tags:Disconnection, Nationalization, Oil painting, Feeling, Innovatio
PDF Full Text Request
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