Study On Hero Narration In Liang Xin’s Movie Script From The Perspective Of Single Myth

Liang Xin is a well-known film writer in the history of new China’s literature and art.His literary and art career began with the single act "brave and witty" published in1950.In the following more than 30 years,many works including novels,dramas,essays and other genres were published,among which the most outstanding artistic achievements were movie dramas.In his independent creation of film,literature and drama,hero narrative is a red line throughout.Based on his own experience and his artistic concept,Liang Xin has built a different hero world.In this world,there are many heroes chasing deer on the red wall of the ancient battlefield,as well as the happy love and hatred of the people in the Jianghu 300 years ago,and the tragic love of the singers in the crystal fantasy There are also the unyielding struggle of the slaves in the real world,the last struggle of the army and the fishermen in the southern scenery,and the young people who came back from purgatory in the cultural revolution.In this paper,the hero narrative in Liang Xin’s film plays is the main research object.It dissects the structure mode and character shaping of hero narrative,and discusses the value in combination with the historical context.The research ideas are mainly embodied in dissecting the structure and mode of building hero world,to dissect the flesh and blood dissolved in the framework,that is,the thought table of value To discuss and condense the aesthetic effect.The thesis is divided into four parts.In the introduction part,firstly,the significance and necessity of reading the Red Classics and hero narration from the general direction today,and make a brief introduction of the writer’s life.At the same time,it makes a research summary on the hero narration in Liang Xin’s Movie Drama,from which the rationality of this thesis can be established.The first chapter makes a definition and explanation of the concept of hero and its historical changes,so as to determine the overall characteristics of hero writing in Liang Xin’s era.The second chapter gives an overview of the cultural context of Liang Xin’s heroic narrative creation,mainly the normative literature and art policy at that time.At the same time,in view of the fact that Liang Xin’s film texts are not well known today,and the level of reading and acceptance is not high,in this chapter,we will give anoverview of the content of Liang Xin’s film plays.The third chapter analyzes the archetypal narrative mode of Liang Xin’s hero narrative,which is the center of this paper.The first section of the third chapter takes the traditional "hero growth" mode as the breakthrough point,mainly to analyze the political discourse behind the "hero growth" mode,and the second section takes the "forced to go to Liangshan" mode of "forced by the government and the people" as the entry point,mainly to analyze the interesting aesthetic effect formed by this mode.The third section takes the "heroic beauty" mode as the incision,analyzes the fresh and clear artistic atmosphere,meaningful poetic color and regional cultural characteristics full of exotic customs.