The Study Of The Worship Of Yan Zhenqing In Qing Dynasty

By studying the situation of calligraphers who worshipped Yan Zhenqing in Qing Dynasty,this paper mostly analyzes calligraphers Wang Duo,Fu Shan,Wang Shu,Zhang Zhao,Liu Yong,Qian Feng,Yi Bingshou,Guo Shangxian,He Shaoji,Zhang Tingji,Zhao Zhiqian,Weng Tongzhi and Tan Yanzhi.Through studying their specific methods and academic ideas of worshipped Yan Zhenqing,so as to summarize the characteristics and reasons of different periods of worship.In the earyly Qing Dynasty,the calligraphers inherited the calligrapghy style in the late Ming Dynasty,and they studied Yan Zhenqing through the stele angle based on Wang Xizhi ang Wang Xianzhi.The middle period of Qing Dynasty was not only the peak period of the development of calligraphy in the Qing Dynasty,but also the stage of the rise of tablet calligraphy.In order to get rid of the cover of Dong Qichang’s calligraphy and Zhao Mengfu’s calligraphy,they admire Yan Zhenqing for his ability to respect ancient laws and make new ideas.It is believed that the style of Yan dates back to the charm of Wei and Jin dynasties.And this stage of the theory of stele through Ruan Yuan and Bao Shichen spread to brilliant,the reason for the inscription calligraphers who worshipped Yan Zhenqing is to demonstrate the nature of the style of Yan and the Northern dynasty Stele,Through Yan Zhenqing’s calligraphy contains seal script and official script ancient meaning,to understand the Northern Dynasty inscription calligraphy.In the late Qing Dynasty,the theory of steles gradually improved and its influence expanded,and the calligraphy under the steles school became more and more prosperous.In this period,a group of calligraphers emerged,although they were deeply influenced by the theory of stele,they did not blindly "honor the stele ",but to try to explore the relationship between the study and tablet.Because of the style of Yan’s unique and the compatibility of stele and calligraphy,it became a bridge between the stele and calligraphy.By means of literature research and case study,this paper classifies and arranges the representative calligraphers who worshipped Yan Zhenqing according to the region,and analyzes how to learn from different angles in the middle and late Qing Dynasty,in order to deeply explore the position and influence of the style of Yan in Qing Dynasty’s calligraphers’ mind.