Research On The Bottom Image In Chinese Realistic Films Since The 1990s

Realism,as a traditional method of film creation,has been internalized to one of the fine qualities of Chinese films with the development of film for more than 100 years.Especially since 2018,with the popularity of outstanding reputation and box office performance films such as " Dying to Survive "," A Cool Fish "," Better Days",it has not only used realism to tell the stories of the times,but also shaped each the bottom image in ordinary life.In the context of the strong return of realistic films,this article explores in depth the presentation and presentation strategies of long-term aphasia in realistic films,and then starts from the dilemma faced by the bottom image when shaping,to better shape the bott om image for the future and provide practical development strategies.Based on realistic film theory,combining case analysis method and social history analysis method,the article takes our country’s excellent realism film as the research object since 1990 s,and discusses that the Bottom Image in realistic film is generally marginalized.First of all,it analyzes the presentation of the bottom image in realis tic films.Through combing,it is found that the bottom image is mostly dominated by negative and tragic images in the construction of identity.At the level of spiritual characteristics,the bottom image reflects the emotional confusion,loneliness and anticipation of class breakout.In addition,in the character setting of the bottom image,the urban elite is introduced to conduct a two-level confrontation with the bottom layer,and the contrasted reality of the bottom layer is highlighted.Finally,when discussing the presentation strategy of the bottom image,it focuses on the three aspects of the theme,narrative techniques and aud io-visual symbols,and then concludes that the sharp theme can show the anxious situation of the bottom layer.Multiple narrative techniques can enrich the bottom image and enhance the audience acceptance of the film.The audio-visual symbols in the picture are also an important means to describe the survival status of the bottom edge.Through research,it is found that there is a certain deviation between the appearance of the bottom image in realis m films and the reality of the bottom of the real life,and some problems have arisen in practice: from an ob jective level,the excessive creation of films to cater to the market causes the bottom to lose its sense of reality and social class;differentiation leads to endorsement of the bottom layer;from a subjective level,the director’s personalized expression alienates the distance between the film and the audience,causing an unbalanced aesthetic acceptance of the audience.The above problems will make the portrayal of the bottom image deviate from the realism track,and it is difficult to cause the emotional resonance of the audience.In this regard,the presentation of the bottom image in the future must first closely follow the real life and focus on the documentary display of the bottom life;secondly,strengthen humanistic care and tighten the bond betwee n the movie and the audience;and finally cleverly integrate genre elements to improve the audience acceptance of the movie.In general,the research on the bottom image of realis tic films outlines a special picture that is different from the middle class and the elite during the period of social transformation in our country,and changes the one-sidedness caused by the formation of the bottom image under the long-term stereotype.The practice of the bottom i mage makes the obscured bottom image go to the pu blic’s field of vision through realism movies,which is also a powerful response to " literature and art of the people".In the future,we will continue to adhere to the excellent realist creation methods of Chine se films,so that the bottom image will move toward a broader path while maintaining the cultural character of realism.