On The Art Of Composition Of Du Fu’ Poetry

It is the consensus of scholars that Du fu attached great importance to his poetry.However,compared with the study of Du fu’s poems words and syntax,the study of its structural features is relatively weak.Therefore,this article attempts to expound the research significance and academic prospect of the proposition of Du’s poems chapter method from the perspective of Chinese traditional art of composition criticism.To clarify the academic achievements and weak links of the current research,think deeply about the principle of poetic form,so as to improve the relevant research on the composition principle,structure type,aesthetic effect and artistic thought of Du’s poems.Finally,restating the theoretical superiority of textual criticism in the study of Du’poetry and recognizes its typical value and historical position in the history of Chinese classical poetry.The core part of the paper mainly focuses on four major issues:Firstly,Figuring out the theoretical implications of the art of composition in the areas of philosophy,art,literature and academia to redefine the concept of it.Clarifying the relationship between the transcendental rules of arrangement and the empirical principles of arrangement in Chinese classical poetry to clarify Du fu’s consciousness of it.We believed that it refers to the structural relations and logical properties between parts and parts or parts and the whole of a particular object.There are lots of potential laws which can be found,and they have been highlighted unprecedentedly in Du’s poetry.Secondly,from the perspective of synchro,according to the different categories of poetic factors,four structural patterns are listed,namely the primary-secondary structure,the material-self structure,the scene structure and the objective facts structure,so as to clarify the various types of the organizational structure of Du’s poetry and their internal relationship with the poet’s emotional psychology.Generally speaking,the closer the integration of the dualistic elements in poetry,such as Primary and secondary characters,object and self,emotion and scene,incident and reason,the closer the integration,the more muddy the structure,the stronger the emotion;the more scattered the space,the more expansive the structure,the more insipid the emotion.Thirdly,exploring the mainstream aesthetic effect of the art of Composition of Du Fu’ Poetry.Its main manifestation is the the strict and dense of perfert order,the complex and changing waves of the body,the heavy thinking of the vague and confused atmosphere,deep and plain realm.Along with du fu’s creation mentality,from “the heart from the weak tired” to “the old poem is muddy and diffuse”,his poetry style,also from the straight degree tends to be complex and changeable,from the heavy thinking tends to without effort.This basically echo Du’poetry under different stages of the mainstream art style.Fourthly,analyzing the structural strategy and poetic thinking of Du’s poems.On the one hand,the creation consciousness of poetry and prose,which is reflected in the poetic composition with rhyme and blank rhyme.On the other hand,the artistic thinking of uniform poetry and painting,which is reflected by painting skills such as color,shape,perspective,light and shadow.Du fu was well acquainted with the common principles of poetry,prose and painting,and thus imperceptibly integrated various styles and artistic techniques into the poetic method,and gave different degrees of transcendence.