Research On The Pala Art Style Of Tibetan Buddhism

This paper takes the Pala art style in the early period of phyis-dar in Tibetan Buddhism as the main research object,mainly studies the Tibetan pala art images from the 11 th to the13 th century by using the method of art theory,summarizes the image composition of this particular art style,and discusses the historical,geographical,religious communication and other influencing factors behind the images.Starting from the art of the Baltic dynasty,first ly looking for the origin of the Tibetan Pala art in the later period.The artistic style of the Pala Dynasty gradually changed from the calm of the Gupta’s Indian classical aesthetics to the baroque decorative characteristics and inclined to the secular preference,which reflected the aesthetic concept of the Indian society at that time.Since India and Tibet were closely related in geography and religious activities,Tibetan Buddhism inherited and developed the art of the Pala dynasty.The images of the Tibetan Pala art style are abundant,which have influenced the artistic creation in the areas of U-Tsang,Tsang,Gurge kingdom in western Tibet,Khara-Khoto and Dunhuang in Hexi Corridor.Tibetan Pala art in different places takes on a different look,According to the difference of the overall visual sense,it can be divided into "India-Nepal" and "Pala-Central Asia" image types,the two types have different ways of composing the images,and each has its own characteristics in some details such as modeling,composition and painting techniques.However,there are many similarities between the two,which together constitute the unique comprehensive aesthetic characteristics of the Tibetan Pala art style in the early period of phyis-dar in Tibetan Buddhism.The spread of artistic images that follow this style and appearance between India and Tibet and the interior of China is related to religious activities "Dharma on the road" and "the way Dharma" in the early period of phyis-dar,geographically,Tibet has long been connected with the outside world through the Silk Road on the Plateau,as well as art.The "Central Asia" factor reflected in Tibetan Pala art style is unique.Tibetan art has been more or less connected with India,Nepal,Central Asia,the Western Regions,and the Han region since the Tibetan era,it also combines a variety of artistic elements from different regions.Therefore,"Central Asia" as a collective term for mixed factors reflects the law of religious art drawing from traditional secular art and other regional arts,gradually developing and perfecting itself,more in line with the social needs of the time and the rules of people’saesthetic characteristics.Finally,this article explores a part of the integration of "Pala" and "Chinese style",and connects the time periods before and after,looking at the Tubo Daynasty and the Yuan and Ming dynasties,studying the influence of the early artistic factors of the Pala Dynasty on Han and Tibetan art.Explore the connection between Han and Tibetan art,find the influence of Tibetan Buddhist art on the Buddhist art in the later dynasty in Han area from the early Pala art elements in Dunhuang art in the Tang and Song Dynasties,the Han factors embodied in Tibetan art and the Pala art retained in Buddhist art in the Yuan and Ming dynasties of Han area.