The Influence Of Japanese Painting On The Color Of Contemporary Fine Brushwork Flower And Bird Painting

Chinese painting has a long history,after a long period of development,basically can be divided into figures,landscapes,flowers and birds of three families.Because I am mainly engaged in meticulous painting of flowers and birds,so I would like to talk about the relevant experience.First,a flower and bird painting creation often in the theme and the choice of colors is very important,how to select the theme,how to use color,especially for the use of color in Contemporary Chinese painting on,to a certain extent,can be interpreted as the artist’s aesthetic orientation.Only a short while ago,heavy color painting in Chinese declined,but in Japan are highly developed,so there appeared in Contemporary Japanese painting Chinese the effects of return.Today,at the height of the development of painting without Japan and after the reform of Japanese rock color,with its new color technology affects China modern flower and bird painting.For example,"the painting’s new makeup jade orchid",is very representative.In my works I want to capture the jade orchid bloom posture,with a pen and paper to record this beautiful moment,light color is different from the traditional form,but take the form of painting to show up,and through the creation of the painting art of related proposition understanding and thinking.This article is divided into four chapters,through the creation reasons,creative preparation,the process of writing a brief description of their own creative thinking,talking about the importance of thinking through the creation of works.The first chapter,the works "new makeup jade orchid" graceful material sketch and creation practice.Starting with the topic of Yulan,we discuss the reasons for the selected topic and the preparation for creation,and analyze the relationship between the composition,the color application and the theme.The second chapter,the works of "graceful" new makeup jade orchid as an example,on the influence of Japanese painting on Contemporary Chinese painting color and the painter’s role for today’s Chinese third chapter,"theoretical thinking and graceful new makeup jade orchid" in creative practice,talk about the Japanese painting and Chinese painting,including positive influence of Japanese painting to painting and Chinese ism,direct foreign China departure from this picture that the fundamental problem Chinese painting value ontology,and talk about their own views and thinking.The fourth chapter "graceful jade orchid" new makeup creation summary,by referring to Zhou Yansheng teacher works and Japanese style color painting,on the basis of inheriting the traditional culture appropriate to draw lessons from foreign elements of the painting is nothing and emphasize the exotic elements from painting at the same time,must retain the premise of nationality next,pure.Finally,talk about some shortcomings of their works,and inspired by the spirit of yulan.According to the practice of painting as the main form,through analyzing the relationship between the "jade orchid" graceful new makeup this painting painting style and theme,understanding and perception of their expression in painting,to a certain reference for the practice of writing.