As one of the important schools of Chinese traditional aesthetics,Zen aesthetics has had a profound impact on Chinese aesthetic thinking,especially promoting the establishment and development of the "Artistic Conception" theory in the field of culture and art.It has been used in traditional Chinese poetry,calligraphy and painting,gardens,etc.Its mark can be seen in the field.On the premise of meeting the basic functional requirements,modern landscapes should also possess humani stic connotations,inherit local context,and connect modern people with the emotional spirit of space.However,under the current background of the development of multicultural exchanges in the world,the modern Chinese landscape is faced with many problems such as lack of national uniqueness,serious homogeneity,lack of aesthetic connotation,and lack of spiritual space.As the essence of Chinese gardens,artistic conception is the spiritual level of landscape space,which contains the deep connotation of garden space,but it is rarely paid attention to in the field of modern landscape.Zen aesthetics is rooted in traditional culture,meets the aesthetic needs of modern people,and is an aesthetic clue to the creation of artistic conception.Therefore,with Zen aesthetics as an aesthetic entry point,a clear landscape design vocabulary is formed to explore the expression of the humanistic artistic conception of modern Chinese landscapes.This article first traces the origin of Zen aesthetics,combined with related monographs,selects four important thought categories from Zen thought:"Mind Ontology","View of Nature","View of Emptiness" and "View of Impermanence",and analyzes from the root of philosophy The aesthetic characteristics of Zen aesthetics and the generation mechanism of"Zen" experience are derived,and aesthetic characteristics such as "simple","pure","emptiness","unsophisticated" and "returning to nature" are obtained,and the aesthetic psychology of intuition is established.mechanism.Then,it discusses the origins of Zen aesthetics and the field of landscape artistic conception based on Chinese classical gardens,Japanese dry landscapes and Western minimalist landscapes,combined with the theories and practical cases in the field of landscape art at home and abroad,and summarizes the effects of Zen aesthetics in the construction of landscape artistic conception space.Aesthetic features and conceptual techniques include the "imagery" method of blending poetry and painting,the creation of a sense of "emptiness and tranquility",and "less is more".Select modern outstanding landscape cases to analyze the form of expression of the Zen artistic conception.It analyzes the similarities and differences between classical gardens and modern landscapes,and innovates and adapts the inheritance of classical gardens’ artistic conception.Finally,it draws a modern landscape artistic conception method based on Zen aesthetics.Clarify the principles of modern landscape artistic conception based on Zen aesthetics:the principle of original simplicity and the principle of individual care;through the analysis of excellent modern landscape examples and the refinement of the aesthetic characteristics of Zen,the three major aspects of theme conception,space planning,and design elements are analyzed.The concrete construction strategy of modern landscape artistic conception based on Zen aesthetics is drawn;finally,the design practice of urban green space landscape artistic conception on Songyang Road in Dengfeng City is completed,and a modern landscape that combines urban memory,regional context and Zen aesthetic feelings is constructed.Paying attention to the regional uniqueness and aesthetic connotation of the landscape will bring inspiration for the creation of modern landscape works with Chinese characteristics in the future.From the perspective of traditional aesthetics,it explores the construction of modern landscape artistic conception,and provides certain case references and theoretical support for the future creation of the spiritual artistic conception space of modern landscape. |