The Study On The Emblazonry Of Beams In Huizhou Architecture In Ming And Qing Dynasties

Huizhou architecture beam frame decoration in Ming and Qing dynasties is a drop in the ocean of Chinese traditional decorative art.Huizhou architecture is the important carrier of huizhou culture,architecture,sculpture,painting and calligraphy art and,has a very high scientific,historical and aesthetic value,is a kind of to the Ming and qing dynasties ancient huizhou region to strengthen the spirit of Confucianism and hui li zero as the main characteristics,has distinct regional features of vernacular architecture.The decoration is attached to the carrier and extends the huizhou architectural decoration art to the beam frame system,which is the expression way of "rich and noble" of hui merchants and an important embodiment of huizhou regional cultural factors.Under the influence of geographical environment factors,the huizhou architecture form build church practices are used,the building exposed frame system,and gives the unique path of huizhou architectural art aesthetic expression,has laid the foundation carrier for the beams grain production,with regional art particularity of beams are derived from the decorative arts.The author makes an in-depth study on the decorative art of huizhou architectural beams and frames,and tries to link the traditional decorative patterns and the structural beauty of traditional architecture with the decoration and beautification of contemporary architectural structures,so as to enhance the traditional cultural connotation of contemporary architecture and to inherit and innovate the decorative art of traditional architecture.Huizhou architecture beam frame decoration is the product of the regional development of traditional Chinese decoration,Decorate the pattern according to the shape,The motif of the art of linear beam frame decoration of whisker and ruyi with regional characteristics is derived,The artistic processing effect of the moon beam shape system carrier itself by the craftsman forms the artistic motif of the moon beam shape system three-dimensional pattern decoration,The artistic processing effect of the moon beam shape system carrier itself by the craftsman forms the artistic motif of the moon beam shape system three-dimensional pattern decoration,Then by the moon beam shape system three-dimensional decorative pattern and ingot shape system beam camel,replace the shape system itself combination,Evolved out of the"shang" character-shaped three-dimensional decorative art motif.The two kinds of three-dimensional decorative patterns in the motif of huizhou architecture beam frame decorative arts are both decorative and practical,which are the vivid interpretation of the concept of three-dimensional decorative patterns in traditional Chinese decorative arts.The beam frame ornamentation is based on the decorative art,A variety of standardized decorative patterns have been formed,Among them has the highly extensive composition form to have the cat whisker type,the open window type,the longitudinal division type,the general style.Huizhou architecture beam frame decorative patterns flexible and diverse composition,decorative patterns wide range of application,On the one hand,it enhances the decoration of decoration,on the other hand,it combines with the three-dimensional decoration formed by the shape and system carrier to form a brand-new three-dimensional decoration,On this level,the beam frame decoration forms two kinds of interlaced spatial relations between plane and solid,which plays a very good decorative role in the architectural structure space.The development of regional culture is inseparable from the common background of Chinese traditional culture,Taking the remains of traditional huizhou architecture as a case study,this paper makes a comprehensive exploration of the foreign cultural elements in the beam decoration of huizhou architecture,From three aspects:the universality of traditional culture,the particularity of cross-cultural field development,and the complexity of multicultural development,To explore the three-dimensional and diversified cultural forms of huizhou architecture beam frame decoration,Starting from the case study of regional ornamentation,this paper explores the cultural characteristics of regional ornamentation art,It is helpful to fully understand the deep cultural connotation of Chinese traditional ornamentation,which has far-reaching enlightenment significance in the contemporary artistic creation of traditional ornamentation.Local decorative arts,local culture as the ideological guide,Inheriting and carrying forward the fine traditional Chinese culture is a huge research task before us,It is also in the contemporary art creation,art works have the essence of Chinese traditional culture of the source of modern power,with profound rational exploration space.